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Dangerous Dancing

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After our failure on the Walker’s flank, three weeks of bad weather passed, and ideas changed. Terry King turned up, and Gordon Smith came back from Leysin. They directed their considerable charms towards the Croz Direct. I wanted to do the Dru Couloir and teamed up with Nick Colton, an ‘aristocrat’ from Manchester and one of the scruffiest people on God’s earth. Once, having just had a vision in which he had cleaned the Fissure Nominé, he threw away all our hardware except for an ice-screw and a couple of bugaboos. (ever lost eighteen krabs and twelve pegs at one go!) That night, two ‘enlightened’ persons perched themselves on top of the Petit Dru, to freeze in the teeth of a north-easterly and study a starlit and by then plastered Jorasses North Wall. Visions of Armageddon faded, and around midnight we cracked. We decided to go back for another try.

Which indeed we did, though we nearly didn’t because I left my head-torch behind and so dedicate this affair to the congenial Froggy who lent me his, and to the half-roll of Sellotape with which I repaired it. 10.30 pm, on August 6, 1976, found two little lads at the foot of the Walker Spur. This time we had decided to beat the ‘schrund’ with a short left cross. Water was still running, but the face was quiet and the night clear. To start the spur, we took the left-hand rock alternative (the initial ice-slope did not exist) and followed this as far as the main ice-slope that cuts into the buttress on the right. Then it was softly, softly rightwards, to slip between the upper ’schrund and the rocks above, out on to the ice-field for a tense tip-toe affair, like ants going the wrong way up a bowling alley, with not a sound uttered lest we bring the house down.

We hung left to avoid being anywhere below the mouth of the Japanese Gully- vulnerable, so vulnerable. A roar: hearts in boots, we froze in fear, but it was only a plane passing low from the south. 2.30 a.m. We hung back on our ice screws, sorting the gear,roping up, peering and wondering, because it looked steep up there. At least, it looked steep as far as we could see, which was as far as you can throw a head-torch. There was no moon and it was dark in the couloir.

There followed five pitches in a grand Scottish illusion: steep, bulging, demanding, all engrossing, totally rewarding. Up through a spindrift flow,in the teeth of a biting wind. Belays for sitting, but not for falling. Few runners- no time-fantastic stuff. We emerged with the daylight on to the ice-field separating the two rock-bands. Around us, ropes darted in and out of the ice like frozen umbilical cords. I counted footage, but thought in cash. We rescued a couple of shiny krabs and took a hefty swing at a little blue sack, but its coffin was hard and rubbery and it would have taken an hour to release, so we left it with parting tears.

It was no place to linger: a sensational, exposed, vulnerable, 50° platform in a vertical sea, a mean place to quit in trouble. Above, fixed ropes ran up a broad shallow gully of compact looking rock, but we were hungry for ice and, a little to the left, there seemed to be a connection with the runnel above. It looked a little like The Curtain on Ben Nevis, but the first 50ft. or so turned out to be unconsolidated powder, so we took to the steep and deceptive pile of rubble on the right. It was loose, a fact to which Nick swore blind as he sailed past for a sixty-footer on to a hapless second.

“Just hold tight and I’ll monkey up the rope.” He did, and reached the top of the pitch for a belay. There followed a full and interesting run-out, on the border between ice,and rock, and finally we were through the second barrier, with 1,000ft. of sensational climbing behind us. Then it was away up the cold, blue runnel that broadens out into the second ice-field. We front-pointed. Audoubert understands:

Now begins that very special ice dance, a rhythmic ballet in four movements, a mixture of barbaric and primitive gestures and classical movement. The character before his mirror of ice makes precise steps with his front points, like a lead dancer rehearsing. In this special ballet pirouettes are forbidden. The emphasis on the  curve of his calves and the strength of his ankles equals the fierce, attacking look on his face. The best dancer, like the best toreador, strikes only once.

It was a long haul. Away to our right we could pick out more ropes, relics of the mammoth Japanese siege. Somewhere round here Lachenal and Terray passed by, but I think it must have been in pretty bad visibility. We heard voices but saw no one. The ice was hard and, after three years’ wear, my poor Chouinards (God bless him!) let my toes know there was no more curve left. What had appeared to be three pitches up the ice extended to five, and we regained the rocks with creaking calves.

The final head-wall is about 800ft. In it, a well-defined gully system curls up and left in behind the Red Tower, to join the Walker Spur about two pitches below the summit. For about 400ft. It is backed by a thin ice weep. But this wouldn’t take the gear, so we kept to the right wall. It was mean stuff: deceptive, awkward, and inevitably loose. And this was no time for mistakes, for we were tired now. It seemed a long way from that 9.0 a.m. rise the day before. In the northerly wind, the rock was bitterly cold. Above, sunlit walls beckoned, but progress was slow and any thoughts we had dared to entertain of reaching the heat receded to the summit. Incredibly, we had seen no stones all day, but Nick made up for that by burrowing away through the rocks above. In places the second is nastily exposed. I took a slate on the leg, with much wailing and gnashing of teeth. Nick solved the problems of getting back into the gully bed by falling off.

“What’s happening?” “Nowt-just fallen off.” and finally we arrived at the summit of a dream, a couple of pitches down and desperate for a brew.We charged on up but then there were these two little ledges just asking to be sat upon, so much more comfortable than the cold, wet snow on the other side and so much more convenient. So we sat down, just five minutes short, to dine on cheese and ham butties, with coffee by the gallon. Rare moments: we were asleep before the night came. Next morning we woke late. The weather had closed in and it was doubly bitter.

The stove worked, but the theory didn’t. 20 minutes could only provide water on the rocks. We dozed over this cold brew until shouts from below drew us out of our lethargy. Two lads appeared, fresh as daisies, despite their fourth bivi. They were the first party up the Walker for weeks. We chewed hurriedly at laces and gloves and raced them to the summit. They had come thousands of miles to climb this hill. It was like Christmas on top of the Walker.
Oh yes, I nearly forgot...... And they all lived happily ever after.



Alex Macintyre: First published in Mountain 1977


Redemption: The James Pearson Story.......Review

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James Pearson is something of a veteran in rock climbing film circles these days. Having featured in several productions over the years, but usually as part of an ensemble alongside people like Hazel Findlay. In Redemption however, James gets the stage to himself  in a production which sets out to record an extraordinarily difficult period in his career. A period within which his reputation as one of our leading trad climbers was called into question and his achievements were dissected and undermined by that most viperous of climbing constituencies..the UKC forum!


Redemption begins with James setting out his stall on his local Peak crags. A section which uses footage of the young tyro repeating, and then very quickly establishing his own top end routes on the short, unforgiving edges within his local orbit. Setting himself the task of repeating Neil Bentley’s 2000 test piece- Equilibrium:(E10-7a)- footage taken at the time shows the bold James setting out above a blanket of snow and a hushed expectant audience. The brooding menace of his perilous situation is brought home by the contemporary commentary which reveals just how ‘outside the zone’ he was as he set off, and just how close to potential disaster he came as he hovered between the rock and a hard place. We watch with bated breath while James describes the dream like sequence where he watched as his thumb and finger began to peel from the tiny hold just as he psyched himself up to make the crucial crux move.


With Equilibrium in the bag, he sets out to establish his own hard test pieces in the area and within a short space of time, has routes like Burbage South’s The Promise (E10-7a) and Cratcliffe’s oft eyed but never led The Groove (E10-7b) on his CV. However, it is a difficult and dangerous ascent on a friable Culm sea cliffs on the Devon coast that acts as the spark which eventually ignites controversy.  After eventually bagging what becomes Walk of Life, James, believing it to surpass routes like The Promise and Equilibrium in difficulty, grades it E12-7a. A unique grading which would bracket it amongst the hardest climbs in the world. Footage taken at the time show him taking some big falls onto dubious gear. Most of which appears to rip out!  


Within a short period, James’s state of the art routes begin to attract the attention of fellow top end activists. Notably, a team of visiting American rock jocks who repeat his Peak routes quickly and without fuss before proffering their own opinion that routes like The Promise are actually no more than E8. To make matters worse, the venerable Dave Macleod arrives in the south-west whilst recovering from injury, repeats Walk of Life and gently suggests that the route is more like a straight E9-6c. Enter the Trolls! Actually, Dave Mac does admit in the film that he knew that his comments would unleash the forum hounds upon James and it’s something he felt uncomfortable about, but he felt he just had to put the record straight. Adding that James had nothing to feel bad about as he is ‘an amazing climber’ who has done some incredible things.



James on Culm's Walk of Life
Not that that JP’s achievements would dissipate the outpouring of scorn from the more vituperative ethics Nazis who patrol the climbing forums. A variation of ‘Yes...but what's he done on grit?’ very quickly became ‘Yes..but what’s he done on Rhapsody!’. (Rhapsody is Dave Macleod’s awesome Scottish E11 on Dumbarton Rock). Not surprisingly in the circumstances, James took this tidal wave of criticism to heart and took off to pastures new; living in Austria for a while and just taking in new locations and getting into sport climbing. A style which he felt brought on and complimented his solidly trad background.


It was while cruising around the continent that he met a mademoiselle who would become very much part of his life. In fact he liked her so much he married her! In this case, the beautiful and talented Caroline Ciavaldini. No slouch she on the rock face. Rare talent which can be seen in the Hot Aches 2012 film Odyssey


Back in the UK and imbued with a new steely resolve and confidence, James seeks redemption on Rhapsody. A route which appears to have surpassed The Indian Face as the holy grail of rock routes for all budding rock Gods.Not surprisingly, the film climaxes with James strung out on Dumbarton rock with the master himself, turning up to see if the pretender from the south can gravitate from apprentice to sorcerer!


Redemption-The James Pearson Story is everything you would expect from a Hot Aches movie by now. From the filming to the creative editing. Its sharp, focused and absorbing throughout.

Rating on the Krabometer


John Appleby:2014
Photos HA.



John Porter's- One Day as a Tiger- Review

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John Porter’s One Day as a Tiger-(Alex Macintyre and the birth of lightweight and fast Alpinism) is an absorbing literary hybrid that is part biography and part autobiography. Ostensibly, the reader will get the impression that the book revolves around the eponymous doomed mountaineer whose star burned bright in climbing’s firmament for less than a decade before he was killed, aged just twenty eight on Annapurna. However this is just as much John Porter’s story; and why not... for the author’s achievements stand up in their own right and the Massachusetts  born, Lakeland dwelling mountaineer has his own fascinating tale to tell and that tale is skilfully woven into the life and times of his subject.

John Porter was Alex Macintyres’s friend and mountain partner for almost as long as Alex was active. From his early days with the infamous Leeds University Mountaineering Club until that final fatal day in 1982. John watched his friend graduate from the confident if limited crag rat, to the international respected mountaineer whose light weight ethic has been taken to the limit in modern times, by climbers like Ueli Steck.

‘Dirty Alex’ as he was known to his friends-which reflected his unkempt appearance and chaotic lifestyle rather than any unsavoury sexual predilections!- began his climbing life in the time honoured manner of his contemporaries. By working his way through the UK rock and ice classics before taking on the Alpine biggies. Porter describes Alex’s early days as unremarkable in that his talents at the time remained largely hidden. A solid if unspectacular performer who was happy enough to let better climbers take the lead on technical ground while he observed and developed his craft.
However, it wasn’t long before he had accelerated past most of these partners, bringing a fearlessness and almost fanatical drive to his armoury of technical skills. It was time to apply this potent force and passion to the challenges of the greater ranges of the Himalayas and the south American giants.

His achievements in this arena were extraordinary and his application of lightweight ‘hit and run’ Alpine techniques were revolutionary in an age when Himalayan climbing was defined by the vast scale of the enterprises. Throwing vast armies of mountaineers at a goal and almost battering the target into submission through weight of numbers, equipment and time. This was an anathema to Alex and his revolutionary approach harvested a rich reward . With equally committed partners he made eye-catching  Alpine-style first ascents and first attempts on, Changabang, Shishapangma and Makalu and with the author, took on some hair raising challenges in the Andes.

In train with his growing catalogue of achievements came a role with the BMC alongside Denis Gray. In many ways, his role as a climbing bureaucrat was in sharp contrast to his image as a mountaineering free spirit and trail blazer. Notwithstanding this apparent contradiction, he appears to have applied himself to the role with the same single mindedness and commitment as he applied to his mountain activities. At the same time, he followed on in Don Whillans’ footsteps and began to act as equipment consultant and designer for companies like UK based Karrimor ,who at the time was a respected player in the mountaineering equipment field, prior to it becoming just another arm of the Mike Ashley/Sports Direct empire and the importer of Chinese made goods which the company has evolved into today.

The ‘Alex Macintyre rucsack’ was amongst the more popular items he designed and which went into commercial production ( currently on my eBay watch out for list!) but seemingly as rare these days as hen’s teeth. Try looking for an image or info on Google.

As Alex entered the final period of his short life, friends including the author, had noticed a change in his previously determined but principled approach to climbing. His latter-day excursions into the mountains were marked by a ruthlessness and ambition which had no place for journeymen or 'tourists'. To say he didn’t suffer fools gladly would be an understatement. He put his bold climbing style- where he would often take on potentially life threatening sections on gnarly ground with non existent  protection- down to an ability to detach himself from reality and climb within a protective mind bubble. He also however, believed he could achieve astral projection and leave his body when he was in the Himalayas, to be with his partner in the Lakes. Not a gift you imagine someone like Don Whillans boasting about! 

This otherworldlyness allied to a ruthlessness in his latter day quests is most clearly defined  in a 1981 expedition he undertook to Shisha Pangma. An expedition led by Doug Scott. This ill tempered affair and the fractious nature of the campaign can be quite squarely attributed to Alex’s’ ambition and ego. As Doug Scott attempted to keep his team focused and united, Alex put personal ambition before anything else and appears to have offered nothing but contempt for a leader who was doing his best to accommodate everyone; not least the weaker members of the team. Alex was quite clear, he wanted to cut loose the weaker team members who were perceived as holding himself and partner Roger Baxter-Jones, back.  In this as in every campaign, success was everything. More so it would appear, than respecting and accommodating those climbers who were not in Alex’s league when it came to ability, drive and stamina.

It was during this period that he had announced to the author that ‘I want to be one of the world’s all time great mountaineers’. In this regard critics will say that to achieve that ambition a mountaineer needs to have more than drive, ambition and technical ability in their locker. Respect for others and respect for the environment have to come into the equation. There appears to be little doubt that Alex Macintyre-as one of an elite core of top end mountaineers- was single minded to the extent that his hit list of mountaineering targets became a holy grail to the detriment of relationships.

If he had lived through to his 60th birthday in 2014, would he have made a great mountain leader? John Porter’s book suggests not, as he was certainly no Shackleton when it came to accommodating and respecting others. Did he respect the environmentwithin which he lost his life? There is no doubt that he did although like all mountaineers at the sharp end, he was prepared to take risks and often though, risks which appeared disproportionately pointless and unnecessarily dangerous in relation to the end goal.

He was killed after being struck on the head by a rock on terrain which was notoriously loose and prone to rockfall, but then again, acting as a skittle in a bowling alley is not a unique role that Alex Macintyre played when pushing the envelope in the Himalayas. I’m left pondering what he would be doing today if he had lived? Would he have become a Bonington or Brown; a respected elder statesman within the community or would his ego and ambition mark him out as an outsider. I’ve already alluded to this above but I would guess from John Porter’s insider account that he certainly would have been respected but perhaps without becoming a popular personality within the community. Certainly you couldn't see him evolving into an avuncular Chris Bonington figure.

John Porter’s Banff winning  book, written from his unique perspective will, I’m sure, promote speculation and inspire debate  around Alex Macintyres’ place in the pantheon of mountaineering greats. At least his comment ‘I don’t want to play this game just to have a rucksack named after me’ hasn’t come to pass. His achievements will always speak for themselves and his influence continues to be recognized throughout the mountaineering world today.

Rating



John Appleby:2014

Castaways on Gritstone Island

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Original Mountain Spread. Photo captioned 'Ron Fawcett on Joker's Wall at Brinham.Photo Jean Horsfall

Beyond the mainstream cliffs of Derbyshire gritstone swells the dirty grey-black sea of Yorkshire Industry. Cross the sinuous industrial fjords of the West Riding and you arrive abruptly at the heathered moors of the Yorkshire Dales. You won’t find the long lined gritstone tiers of the south here, but crags twinkling from a moorland setting, pinpoints of black light. The harsh weather, small crags and dour guides have never offered much encouragement to the Visitor.Coming here, one usually found the routes easier than one had imagined, although some gems of the dark days of Yorkshire climbing stood out. Austin’s Western Front and Wall of Horrors were morbid lures to Almscliffe aspirants more than likely struggling to capture the barely lesser jewels of Dolphin’s era - Birdlime Traverse or Demon Wall.

High Street at Ilkley, Heptonstall’s Forked Lightning Crack and Crookrise’s Shelf were all fine but rarely climbed XSs of the sixties. We’ve heard all this before, though.Austin’s nine sweaters, Whillans’s fists: we know more about them than the routes.But now, now the barriers are down. The five years that have passed since the publication of the guide have seen the internal aspect of Yorkshire climbing revolutionized; irreverent intellectuals vie with irrelevant non-intellectuals for revelationary routes. There’s a throbbing youth cult hammering away at the rock, with fingers, fists, feet, and even some head. The rock is climbed for the routes, for the moving, for the thrills: no one cares who adds what to the age-old defacements at Ilkley. Aestheticism is derived from the totally consuming difficulty of the routes, rather than from the surroundings. 

Older aspirant youth-culters try to alter their image, in order to belong once again. A fresh emergent rock group rehearses hard at Leeds University - all lead players in an innovatory band. Concrete backed brick edges wince at the bite of fingernails belonging to solid arms. Bodies revolve about those arms, gaining height with scant regard for traditional posture. The members of the band look alike: all Perrin’s skinny ape-armed type, embellished by pop-group looks. Concentrated competition drives them to perfect ever more ridiculous moves: hand-holds approach footholds as the distance to the next pair increases.

Kinaesthologists would marvel at the vertical awareness of these performers utilizing every inch of their movement sphere from two small central holds. New techniques,knee pressing, arm locking and two-dimensional movement emerge quickly in the competitive but sociable atmosphere; these are ‘friendlies’, soon to be played for real when the shrieking winter gales abate from those gritstone outcrops. On the other hand, it may be that the outcrops provide training for Leeds University’s ‘Wall’ groupie Bernard Newman- weight-trains, runs, and has even been seen climbing in the Alps- in preparation for his winter season on ‘The Wall’. Don Robinson is the man to blame; a sixty four year old lecturer at Leeds University, a skilled caver and a climber of moderate ability, he conceived the wall as an indoor teaching space for his students.


Pete Livesey:Photo Adrian Bailey.

Built for only a few pounds, its superiority over earlier and later architect-designed monstrosities was soon apparent. Today,as every day, it draws climbers from all overthe county to play on its ferociously gymnastic possibilities. The results that can be achieved on such  a training-ground first became apparent to the climbing world at large when John Syrett, non-climber, emerged from a year on the wall to tear about the country climbing everything from XS and up. His progression from nothing to a sight-lead of Wall of Horrors, inside twelve months, set the scene. The conditions of some of his ascents emphasized the inadequacies of the technical difficulties as tests for his ability.

New routes and new names soon followed, but Syrett, sober, was nigh on impossible to follow. His first ascents, often solo, were technically new, and they see little of the traffic that routes like Wall of Horrors now bear. Traditionally-trained climbers did not sit back and applaud this artificial effrontery. Old men with short hair, raggy sweaters and gnarled hands were heard panting and grunting in dimly lit corners of climbing walls. Ken Wood replied to the University challenge with two routes of his own: Chopper (XS) at Earl Crag, and True Grit (XS) at Brimham. Both are unrepeated; Chopper is off-width, and True Grit is a vicious finger-crack looking dispassionately north from the northern shores of Gritstone Island. Syrett also came north and added Joker’s Wall to the fiercely overhanging side of Brimham’s Cubic Block; you’re too high to jump off before you know it - then it gets mean.

Of all the crags offended by these forays into the impossible, none has received the continual battering nor nurtured and harnessed the energy so well as Almscliff. Almscliff  the friendly wart, no, more like a, Freudian nipple - a barometer of the state of the art. Syrett’s Big Greenie (XS) was a high bold problem on the nipple’s biggest blank, a good starter for a concentrated but prolonged attack by the University climbers. Al Manson, without doubt the first man to make the real breakthrough in climbing wall standards, brought his ability to Almscliff and linked two unrepeated problems to produce Rectum Rift (XS). The highly technical start and stretchy tenuous finish make this obscene route one of the hardest technical challenges on grit, a bold statement that someone has yet to refute. 

The weediest climber in Britain, Pete Kitson, soloed two boulder problems on Virgin Boulder. At HVS, the 35ft lengths of the Gypsy and the Virgin are shattering. In August 1973, when the inhabitants were sunning in Greece or voyeurging to the Calanques, Lancastrian Pasquill sailed in and poked out the Goblin’s Eyes. Climbing an 8ft. roof on eye-like pockets to a long, long finishing pull, he led what Syrett had failed to top-rope. Home teams could not answer. Livesey came with All Quiet (XS), a beautiful climber’s route, starting up Wall of Horrors and swinging from jug to jug across the wall to Western Front, then across again to Crack of Doom; 70ft of high quality climbing in a continuously overhanging situation.

One could almost see a tearful sorrow in the eyes of spectators at Almsclilf and other showgrounds, as they watched the passing of the Average Climber. They could see nothing familiar, nothing to identify with in the preparations of the Lean Men: the Spiny Normans with their chalky hands, deep breathing, vest and shorts, and quick-draw shortened runner racks. 

But come back after the show, you ordinary men, see when all’s quiet what they have done; look at the needle-straight cracks of Ilkley’s Wellington Crack or Heptonstall’s Hard Line; contemplate the audacity of Goblin’s Eyes or the technical beauty of Crookrise’s Small Brown. Attempts were made to strengthen the Western Ramparts: Heptonstall, first line of defence against the Invader, was fortified with Syrett’s desperate-looking Thunderclap (XS). Livesey came next with the similar Hard Line (XS). Both routes follow thin, relentless crack lines and are unrepeated. Peel and Rawlinson answered back for the invaders with Cream (XS) and Strange Brew (XS), two more steep lines.


John Syrett: Photo Gordon Stainforth
At Ilkley, the first new route for years appeared on a most unlikely blank wall in the quarry. Propeller Wall was given the joke grade of VS by Syrett. Repeated twice, it is said to be harder than the neighbouring High Street (XS). Syrett soloed it. Livesey followed with Waterloo (HVS), similar but better protected. Something bigger was brewing at Ilkley though. Someone had cleaned the rotting wedges from the painfully obvious Wellington Crack, a thin diagonal slash up an otherwise featureless 40ft. wall, slightly overhanging with an undercut base. It was going to be done soon, but by whom? Livesey stepped in,inspected it from jumars, then failed.

But still no one else came. Three months later, Livesey returned and got to within a foot of the top, where failing strength forced him to grab a nut to step down for a rest, but the route was completed. Never technically ridiculous, its relentlessness can only be compared with that of its American cousin,Butterballs.

Nineteen-year-old Ron Fawcett was quietly making his mark on the crags about his native Skipton. A narrow lad with a wide appreciation for climbing hard routes, Fawcett can stretch up and surely insert his club-like fists a foot higher than you or I. See him on Ilkley evenings; on a windy climbing wall - a wind that for some cools the heat of competition. Follow Fawcett solo round the routes; you can’t – you should have taken notice of those athlete’s shorts and vests. At eighteen he’d already done more, and harder, routes than Brown and Whillans put together. No one can repeat his free ascent of Small Brown at Crookrise, technical and strenuous in the extreme. 

The rise in standard is by no means ebbing as climbing-wall training gains  momentum. A new wall opens on Gritstone Island: at Rothwell it is bigger and better another Robinson-built effort that is already incredibly popular. Climbers perform unroped, a must for effective training; no meddling regulations here! What will it bring? Certainly routes like the Cow’s right-hand aréte and Milky Way (also at Ilkley). Too hard for now, but soon to become a reality. But then, who knows when to stop?

Note: Rectum Rift and Thunderclap have both recently been repeated; the latter especially was thought desperate.



Pete Livesey:First published in Mountain 42 March 1975
 

Bad Day at Black Crag

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Chris Bonington on Black Crag classic 'Prana'.Photo-Mountain Heritage

Black Crag, Borrowdale, at 4 o’clock on Saturday looks like market day in the high street. Brightly coloured groups gathered on ledges, at the top, eating and drinking at the crag-foot. Heaps of gear lie around among the birches. A mesh of ropes, green and purple, yellow and red, connects the stances. The sun reaches Troutdale Pinnacle around 2 o’clock, and a nearly freezing wind has driven everyone off the saturnine east-facing steeps of Goat across the dale - ourselves included, only we have been doing the Peeler while they have been doing things like Bitter Oasis and Alone in Space. 

We know this because they wear track-suit bottoms with twin white stripes and of course no helmets. On the whole crag only two helmets - ours. On the sheer left wall, where Grand Alliance, Vertigo, and Prana thread upwards from one invisible mini-hold to another, it looks like a gymkhana. Leggy athletes in T-shirts are spreadeagled all over it. As we start up the tortuous rearing corner systems of the Pinnacle face, aiming at Mortician, a handsome lad with a curly moustache, like an Edwardian advertisement for  liver pills, is fiddling in a wire or two to protect the crux of Grand Alliance. He’s been there a while. By the time I’ve led up the scratched slab and steep corner and taken a stance on a quaking mass of earth which supports three rowan saplings, he’s still there as I tie on, a shout of “Below!” echoes from above. 

I look up and see yellow and ochre rocks blossoming in the sunshine like fireworks. They spin past and I look down to see my mate, Neil, crouching with his hands on top of his head. luckily they miss him, and the dog and the flask. No sooner has Neil’s orange helmet surfaced below me than two track-suits start up the slabs towards us, soloing with ropes on shoulders, as Track-suits will. Neil sets about ‘entering an obvious cleaned corner with difficulty’ , places a wire and rests, finds a high hidden hold, which also takes a wire, and rests again. Over on the left wall, Curly Moustache is crucified just below his crux, poised to move but doing nothing - that is, waiting for the adrenalin to flow. A pair to his right, talkative after finishing Prana in good style, are abbing volubly and leisurely past him, crossing his ropes, and are sharply advised to get on with it by Curly’s mates down beside the yew tree.


The Track-suits have reached us. They too are aiming at Mortician and we decide to let them past since we’re taking quite a while to enter the cleaned corner with difficulty. So do they. The leader (long black hair) clips into our runners in a devious way (he carries five wires on one krab), to the accompaniment of derisive ‘advice’ from his mate - “ What are you doing that for? Don’t you think you’ve got it twisted?” Soon the rock bristles with gear like a bull’s shoulder full of banderillas just before the kill. Black-hair yo-yo’s for a while. Then, stung by frustration and more advice, he muscles up on the good hold and makes it into the corner, where he rests for a long time, breathing heavily like a torrid sequence in a blue movie. Chalk floats downwards.


The 140 feet above him will clearly take ages and we decide to deflect into Obituary Grooves instead. Presently Neil is calling down for yet another hearing of the book, as though its stuff about “Climb the groove above a little way” and “Go up and out to the right” will presently match the vertical maze in which he finds himself. I shout up to the pair who showered us with rock, but they are on a new route - Extreme, no doubt, since the leader has been impaled on the same overhang for nearly an hour - anthey can’t guide us.
Neil pokes about for protection and I chat with Track-suit Two. He’s thirsting to do Grand Alliance and is enviously watching his mates, Curly and company, disporting themselves on the wall. Curly moves delicately up.


His right leg shakes. His fingers reach, lodge, his leg steadies, he makes the move and then heads, still charily, for the sunlit beard of Heather at the top. As he ties on up there, Track-suit Two jeers pleasantly: “I liked your shakes,” and Curly calls back: “Nearly lost it there. I went for this better hold’ and it was really rounded. I was twenty feet above me wires and I thought I’d lost it. But I got control again and it was all right.” To his left a Track-suit, who must be very strong, has been grappling with the overhang on Vertigo for more than half an hour, leaning out, reaching up, finding nothing, swearing. Below us, someone is leading up the first pitch of the Direct – a tall pretty girl with noticeable make-up, quite an apparition on this or any other crag.


When she gets to our height, she seems vague about route and protection but clambers cheerfully onwards, decorating the crag with runners from time to time. Neil has belayed, to put off the perplexities of route-finding, and I climb to join him, up a long corner on fine sharp Lakeland edges, just enough, always there when you reach up for them. The ‘belay’ is a one inch ledge, with the broken awkward groove of Mortician leering above our heads. The only way out, or along or up, is across an undercut wall to the left, quite a space-walk, making for an edge with the Extreme pair’s stance just beyond it. As I eye this, psyching myself, the Extreme leader finally falls and more ochre rock explodes around us. I step out, change feet, find a perfect incut slot, and reach for the ledge. It’s good and bevelled and I swing across securely enough.

This is the ‘swing layback’ which we thought was many feet below. The stance I now share with the Extremes, a Scotsman and his mate, is of course littered with sharp stones, trodden peaty earth, and piles of red and yellow rope. For a moment I feel the laws of nature  have come unstuck - I’m sinking – clods of earth have landslid, stopping just in time, and the Scotsman says, “Oh thanks! That was the stance!


I climb on. Trying to "move left" as the guidebook tersely puts it. Moving left means toeing precariously along a sloping waste of dihedrals and slabs and little triangular notches, looking for protection. There is none and sixty feet run out behind me. When I look back, I see my ropes have passed in front of the Extreme second and I suggest he gets in front of them in case I pendule and rive him off. You would think it has been snowing brown shit - earth cakes every hold, washed down from the evil looking gully which divides the Pinnacle from the Wall. Its cheesey. gaping innards remind me of a phrase from Apocalypse Now, “the ass-hole of the world”. Every friction hold has to be dusted off.

Insecurity reigns. It feels like Scottish climbing. Thankfully I find a peg. whose rusty solidity suggests it must have been banged home by Greenwood and Ross, the first humans to pass this way, a quarter of a century ago. Thirty dirty sloping feet beyond it I come an oak in a corner, sturdy. Not yet quite ring-barked. with plenty yellow buds, and l tape onto it. The Scotsman has followed me now and clips into my runner on the peg, his finger pouring blood from his last explosion.

In a moment Black-hair arrives at the summit of his big corner, his nose clown-white with chalk. looking weary and remote. The bleeding Scotsman decides to abseil off the oak and protects himself with a yellow sling while he hovers over space. When he jumps off downwards. he leaves the sling on the tree, which is starting to look Christmassy. Track-suit Two arrives and climbs wordlessly past. Black-hair says, “What the hell  are you doing?" Two says. “ It's called ‘leading through’." speaking very distinctly as though to a deaf foreigner. But Black-hair has had enough and they agree resentfully to follow the abseil fashion.

Over on Vertigo the strong Track-suit is doing the same. Neil arrives, and it is even more like Christmas for a while as Black- hair gives him back his wire from the bottom of the corner, where we were a day or two ago - sometime this week anyway - and I hang the bleeding Scotsman‘s yellow sling round Two‘s neck to take back down.


We follow the guide’s brief ambiguities for one more long pitch. still trusting its belief in hundred-foot run-outs round right-angles and sharp edges. Neil even believes that ‘exit right’ means you should move right and finds himself on an Extreme wall. Ten tantalizing feet below a plausible slanting finger-ledge. Balked, he retreats and belays. Being a tree-lover, I lead through past a small and well-worn holly and find a fleck or two of red and blue wool tracking upwards towards the heathery skyline. (Theseus must have felt like this in the labyrinth of Minos.) 

As we coil, Track-suit Two dances into view, jumping nimbly up the old classic, the Pinnacle itself. No rope trails behind him - he’s soloing with Curly. As they join me, I yawn, and Curly says kindly, “You must be tired," which makes me feel about 75. “I’m hungry“ I say, thinking that today everyone at Black Crag mustbe tired. 



David Craig:First published in Climber and Rambler-March 82
 

How to get killed in the Alps

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Getting killed in the Alps is becoming rapidly an international mania. This is evidenced by the statistics of the Swiss Alpine Club, already quoted, showing that last year 165 tourists and guides somehow managed to break their necks, while the number of wounded, those who managed only to break something,arms, legs or ribs - is quite beyond compute. The periodic massacre is due largely to the fact that alpine dangers are unseen. On the sea shore, for instance, sane persons who cannot swim would not think of bathing in a rough sea, for the sight and roar of the waves terrifies them. In the Alps it is just the contrary, for nature, it would seem, takes pains to cover the deadly crevasses with thin snow bridges and avalanches come down without warning where the novice would least expect them. The most beautiful alpine flowers, too, contrive to bloom overhanging the most perilous abysses.

Some years ago it was the elite which climbed, while the man-in-the-street stayed in the street, or looked at the mountains from his hotel window. Now it is a mad scramble of a hundred thousand souls to reach some snow-capped summit. As most of these know nothing of the techniques of getting killed, the following rules may be of service, and are easily memorized: A fascinating way is to go and pick edelweiss; To pluck it one must approach from above. Descend slowly, therefore, clinging to some small shrub. If a passing guide chances to call warning, reply that you know what you are about, and that tourists, as well as guides, have a right to pick alpine flowers. Lean slightly over the precipice- and as one hand grasps the alluring bloom, with the other hand pull on the shrub, which will come loose, roots and all! There will be a grating sound of loose,moving rock, the overhanging ledge will cave in,and one may soar, edelweiss in hand, into the void below.

There will be three lines in the newspapers about it, and a caravan of expert guides will find the body. Climbing without guides is why so many Germans and Austrians succeed – vide statistics - while English and Americans somehow, unfortunately, cannot get over the habit of choosing always the best ones. Eighty per cent of the fatalities occur to tourists climbing without guides. Signor Cumani, an Italian artist, started to climb Mont Blanc alone twenty years ago and he has never been heard of since. M. H. N. Riegel, from Philadelphia, in 1898, also attempted Mont Blanc alone, and guides found his body later on the Glacier de Miage, to which he had fallen from several thousand feet above. 

Sitting down in avalanche paths is sometimes effective. A friend of mine, dispensing with guides, climbed up above Pierre Pointue on the route up Mont Blanc and deliberately sat down quietly to lunch in a gully where avalanches come down off the Aiguille du Midi every fifteen minutes. Suddenly the air was filled with singing,flying stones and ice, the velocity making the smaller stones invisible. He failed to get hit, however, and disgusted, leaving everything behind, fled to Pierre Pointue, where he recommenced with absinthe cocktails.
Climbing without heavily-nailed boots, too, has its advantages. An American, who considered it commonplace to ascend Mont Blanc like everybody else, tried it with patent leather shoes. At the "Jonction" of the Glaciers des Bossons and de Taconnaz he slipped into a crevasse, dragging with him an English friend. Guides had great difficulty in getting them out. Hot words followed the cool crevasse, and the two Anglo-Saxons, each blaming the other for what had happened, indulged in a warm pugilistic encounter in the snow. But for being attached to the guides by rope both men might to-day be buried somewhere in the glacier.

The famous guide, Emile Rey, of Courmayeur, lost his life on the Dent du Géant by neglecting to renew some worn nails. He was descending with Mr A. C. Roberts, an English climber, and as the weather was growing bad, they unroped so as to move quicker. In descending a chimney Rey jumped to a narrow shelf covered with small pebbles, when his feet went out from under him and he fell over 600ft. His body was found and brought to Courmayeur two days later. Nothing is easier than falling over a precipice. Guides say that if a tourist has a tendency to vertigo he should confine his ascension to peaks frequented by cows. To get killed, therefore, the alpinist with vertigo should tackle the Matterhorn, Schreckhorn, or the Aiguille Verte. 


While it lasts the sensation of falling several thousand feet must be extraordinary. Dr Cauro, an alpinist, broke his neck falling off the Montagne de la Cote, a goat-frequented buttress of Mont Blanc; while a French actress, in 1902, trying to be polite, was instantly killed on the Mauvais Pas, by the side of the Mer de Glace, while attempting to pass outside when she met a party coming in the contrary direction. In case of passing beneath a forest fire on a mountain side, stop and have a look at the thick yellow spirals of ascending smoke. In an amazingly short time the roots of the trees burn, releasing the stones lodged between them, and these, falling, bombard the footpaths below. By watching the fire from an exposed vantage point the spectator will be hit squarely in the face by a twenty-pounder and his body will be recognized later by visiting-cards, which, by the way, every novice should carry in his pocket.

Do not bother about heavy underwear, double pairs of socks, mittens and dark goggles when going above the snow-line. If the sun shines one may go blind, and, therefore, more easily fall over a precipice. In case of bad weather coming on suddenly, as it often does, one can freeze in a very short time. It is said to be a delicious, drowsy death. A party of three English and American tourists, with eight guides, during bad weather froze on Mont Blanc, and ten days later, when the storm abated, watchers below with telescopes saw them sitting dead in the snow.

Making rash glissades is a method adopted sometimes even by experienced alpinists. The glissade starts in sunshine in fairly soft snow, but in passing swiftly from sunshine into shadow, where the snow is freezing, one encounters an icy crust, and there is no possible way of stopping. With one swoop one goes until he strikes the wall of a crevasse or bergschrund, and then well, it does not matter.

Persons addicted to heart trouble should undertake violent exertion and quick changes of atmospheric pressure. It may put an end to their trouble. For the same reasons those without physical force to resist fatigue and cold weather should undertake long climbs. This is a tiresome end, however, and the least desirable. Getting struck by lightning is not so easy. The unhappy porter, Casoli, who was struck on the summit of Mont Blanc and charred from head to foot, lived three days. The guide Joseph Simond, also, was killed by lightning while descending the Aiguille du Geant with the guide Joseph Ravanel and M Fontaine, the celebrated French alpinist. Simond was the only one carrying an ice-axe. Take note, therefore, tourists, and when in the midst of an electrical disturbance seize the steel ice-axe!

Breaking rope played a fatal part in the catastrophe on the Matterhorn when Lord Francis Douglas and three others were killed. Moral: Do not take old rope, for it might not break. Falling stones have killed more than one in the Alps. In the early morning, when everything is frozen tight, falling stones are rare. It is in the afternoon, when the sun is melting hot, that the silence is continuously broken by their dropping. Amateurs when amusing themselves in such places should do so in the afternoon when the sun is hot!

 Finally, in choosing a guide for excursions always take an inveterate drinker. Dr Hunter Workman, the famous Himalayan explorer, told me not long ago that when in the Alps he unwittingly was fortunate enough to get caught in a difficult passage with one who was taken with delirium tremens. Dr Workman, although he turned guide, failed to get killed, and has not yet forgotten his sensation.


For those who know nothing of the mountains, and who continue lusting for the flesh-pots, there is left always the climbing receipt of Mark Twain: Hotel veranda! Bottle of whisky! Telescope!

Frederick Burlingham: 'How to become an Alpinist' (1914)

Ken Wilson....The man who gave us Mountain

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I first met Ken Wilson at the foot of Pontesbury Needle, at the very spot to which Drummond, like Icarus, fell. It seemed somehow prophetic. After ticking the crag, we adjourned to the pub for a few beers. Subsequently we argued vehemently for nearly three hours in an empty car park while a silvery moon threw eerie shadows across Nesscliffe. Ironically we were on the same side.

Mention the W word in climbing circles and it's likely you'll invite a peevish response, typically from those who have never even met him. He's a maniac, he's a fundamentalist, he's an iconoclast, he's visceral.  Well indeed he is all of these and more... so much more.

At heart I suspect Ken is a figure of the 1960s, that vast, sprawling decade which indiscriminately spewed out so much good and bad that history couldn't help but be changed irrevocably. Certainly he emerged from that time, this architecture student turned photographer of crags and climbers, this courtier to those who once were young kings.

In the first age where the medium could be the message, Wilson, with a single Promethean bound, transformed Mountain Craft into Mountain. It no longer mattered whether you lived in Southport or Seattle. With Mountain, you were plugged into a global network spanning continents and eras, outcrops, big walls and great ranges. If there had been a mission statement for Mountain, surely it would have read, 'mountains and men who matter'. Unashamed elitism from a didactic autocrat?

Well unsnap the ring binders and consider those first 60 or so issues from over 40 years ago and what do you find?  Classic, after classic, after classic. The great routes, the great personalities, the great debates. As Flaubert noted aptly, 'You don't make art through good intentions.' Good intentions, yes... but there must also be iron in the soul. And Wilson fashioned Mountain from a motherlode.


However much Mountain changed our lives, for Wilson it could never have been enough. I suspect that for Wilson there will never be enough, the next horizon remorselessly spurs him onward, he is perennially taunted by great ranges which he may never reach. The Black Cliff, which he co-authored with Jack Soper and Pete Crew, hinted at what was to come. Looking back, it seems remarkable that a whole book could have unashamedly been devoted to a single crag, Clogwyn Du’r Arddu, of significant interest only to climbers, and been prominently displayed in city centre bookshops. With Wilson's inspirational photographic sequence of Drummond running it out on Great Wall, modernism in climbing image triumphantly emerged from the swirling mists of the myth-enshrouded past.

A few years later, The Black Cliff's celebratory promise of word and image was fully realised when Hard Rock, the volume most likely to be found on any climber's bookshelf, appeared. At once a hymn to the visual, the visceral and the cerebral, it's 57 essays about major British routes gave us unforgettable images. Perrin's dalliance with Right Unconquerable was a paean of sensual pleasure, whereas Drummond's haunting refrain for Great Wall and its lonely progenitor rings forever in our ears. 'Lovely boy, Crew, arrow climber. Wall without end.'

Games Climbers Play, the classic anthology of mountain literature, came next. So many outstanding writers were represented that to single out any of them seems invidious. But again Perrin featured strongly and again Drummond's sporadic genius soared. Mirror Mirror, the great wall which so nearly proved his nemesis, is one of the most profound studies of  obsession ever written. It touched the essential sickness which inhabits many climbers' souls. And it depicted climbing as a fire which can purify, a rite of passage by which we may possibly be redeemed.

While Mirrors in The Cliffs, Classic Rock and Extreme Rock consolidated Games and Hard Rock, Wilson was already racing ahead with Diadem, his own publishing house. Again the mission statement might have read, 'mountains and men who matter'. Bonington, Boardman, Messner, Roskelley, Saunders, Scott, Shipton, Venables and many, many more formed a distinctive roll call of the illustrious.

Yet as essentially a one-man business, no matter how successful, Diadem was always vulnerable. Its assimilation into Hodder & Stoughton gave Wilson considerably enhanced publishing clout. Hodder Headline's subsequent rejection of mountaineering literature as a significant concern was the stuff of 1990s publishing drama. Within four days of his corporate chains snapping, Wilson had another publishing house, Bâton Wicks, up and running. His declared aim was, 'to publish the best in mountaineering literature'. Same message, different format. Again there were to be the great names, the great ranges, the great deeds. And again there were innovative writers such as Paul Pritchard and Dermot Somers. Whatever you may feel about Wilson, be in no doubt – he takes publishing risks. And we benefit.

But what are we to feel about Wilson?  Confusingly perhaps, there are so many Wilsons. There was Wilson the courtier of yore, who became Wilson the king-maker. There was Wilson the photographer, whose compositions of crags such as Cloggy and Gogarth reveal an architectural simplicity of line which has probably never been bettered. There was Wilson whose Mountain helped shape our perceptions of all mountains. There was Wilson who demonstrated the potentially infinite variety of Games Climbers Play. There was Wilson of Hard Rock, Wilson of Diadem and now of  Bâton Wicks.

There is Wilson the ceaseless archivist of climbing history. There is Wilson the polemicist, unsparing and unyielding as he grapples with the great debates. There is Wilson the climber, a soldier of the middle grades. There is Wilson the mountaineering politician, merciless in his pursuit of what seems the greater good. There is Wilson the businessman, who takes considerable risks with climbing writing, is canny with money yet meticulously pays his bills. There is Wilson the friend, unexpectedly considerate in one who possesses not a jot of sentimentality. There is Wilson the dutiful family man. There is Wilson the iconoclast, his iconoclasm consistently invalidating establishment status. There is Wilson, not an original thinker (Mountain, Hard Rock and Games Climbers Play all had their less-heralded precursors) but a consummate shaper of ideas. Above all, there is Wilson the man who delivers. That motherlode of iron runs deep and far and wide.

God knows, mountaineering has thrown up more than its fair share of quirks, maniacs and oddballs. But what in heaven's name have we done to deserve Wilson? Bolts at Harpur Hill, trees in Cheedale, guidebooks in Pembroke, lower-offs in Lancashire quarries, ethics at indoor climbing walls, something else, something else, something else...  Will Ken ever shut up?

No he won't. And nor should he. Because Ken, however much he may rant, is truly the Jonathan Swift of our time. That such an extraordinary creature should have emerged from the climbing world should be cause for celebration, not confusion.

When Ken sights along the line of truth, he has 20:20 vision. It's less easy for the rest of us, who tend to be misty-eyed with misgivings and, when we eventually manage to focus, often don't like what we see. Ken's devotion to the truth is unswerving.

When you stand back and try to add it all up, you find that Ken has given so much to mountaineering that it's well-nigh incalculable. Why does he do it?  Who knows? It's his belly and it's his rat. But for as long as we are content to live with the convenient popular caricature, we are blinding ourselves to a visionary in our midst.
Photo: Ian Smith

© Mick Ward, 1997.  First published in Climber, September 1997.
  



Letter to Jeanette

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Coniston Fells: Original painting-Delmar Harmood-Banner 1938

Arthritis Cottage,

Ambleside,

Cumbria.


Dear Jeanette,


I am sorry...I apologise. I feel desolate. I did not mean to make you unhappy with what I said about your soloing Hopkinson’s Crack on Dow Crag. I never imagined you would flounce out of the climbing shop as you did, slamming the door and making us squirm with embarrassment. We Brits dislike scenes. I was clearly the culprit. “She didn’t like that,” said Julia,wrapping a pair of Huecos at the till. No, clearly you didn’t. Yet I had meant well.


Jeanette is, of course, no more your name than Arthritis Cottage is my address. But you know me - or should do by now. (When was it we last climbed together on Dow- 1953 ? I simply can’t take things seriously. But I feel serious enough to want to protect your identity as I try to make up for my calamitous mistake. In those days Dow Crag was a giant place. Still is: an eyrie of the mountain gods; its ramparts the kind that make the climber’s heart skip a beat when seen from deep in the valley near Torver, or high on the footpath from Coniston. The times our bunch from Ladnek had on Dow! Was there ever a dull moment? Unlike today where the po-faced reign.


So you see, Jeanette, my memories are fond ones, treasured from an age ago when everything was sunlight and laughter, when you were a leading light. You in your shorts and long brown legs, joyfully and outrageously- for that time - soloing Hopkinson’s Crack. When I introduced you to Julia thus, I was re-living my golden and most affectionate moments of climbing innocence.

Your angry rejoinder that “Tony may live in the past but I prefer to live in the present!”, not to mention your double-quick exit through the door - saddened me utterly. Everyone looked so accusingly at me. Perhaps Jeanette, for all your success as head one of the biggest British branches of an international organisation, you regret that you’re no longer climbing. Possibly it’s too painful to bring back those days when your hair was a cap of blondest curls and when the sun blazed like a blowtorch, heating the rock on which you smeared so daringly in your Woolworth’s rubbers. If that is the case, then is it any wonder my words struck such a painful chord?


Hopkinson’s Crack rockets into the air from the depths of the Amphitheatre – an unusual feature for Dow, where many routes climb exposed battlements, busy with climbers at weekends. How different is the setting for those solos of Hoppy’s you did! Grim, silent walls surround you on either side. Just to reach the foot of the crack seemed an expedition, about that time when Everest was climbed, as we cranked fearfully up into the Amphitheatre past the massive boulder jammed in Easter Gully; or instead descended into its bottomless pit from the steep end of Easy Terrace, tricounis  grating on wet rock.


The situation of Hopkinson’s Crack graded Hard Severe but verging on VS – is galactic. On the left is the mendacious pillar of Great Central Route, while on the right is Black Wall. How your heart must have raced when soloing: especially when you drew level with the small rock stance and the crux of Hopkinson’s loomed overhead. 


You were climbing a deep cleft until then, but at this point your world fell away. I seem to remember you climbed the right wall, heart stopping in its exposure. The alternative is to climb the crack, bridging occasionally, reaching and reaching again, up past the big hex that fits so snugly in the back, to where many (including me) make an inglorious landing on the Bandstand.

Climbing solo though, you bypassed this famous haven and continued straight on up the crack, the next pitch an arrow-straight skyshot offering bridging that is exquisite. Is it surprising, therefore, you might now regret no longer doing what you once did with such elan and such prowess?



In those days,Jeanette, routes like Eliminate A and Murray’s Direct were a world away. But possibly you went on to do both before you hung up your rubbers and wet day socks. I sincerely hope so, for they are also quite magical. I climbed them first in the 1960’s. But they are the kind of routes you would so enjoy: the best sort in the world. Eliminate A, to start with, pierces the front of the great buttress on the left, its bigness on a par with that of Notre Dame. A smooth wall is shaded by a slanting roof, continuing above like a great rock prow. That any VS can breach its front is unthinkable. Yet Eliminate A does just that, with four particularly memorable pitches. The first runs out 90 feet of rope above the depths of Great Gully, leering up at the intrepid leader engrossed in placing his gear; layaways and rockovers, the kind at which you used to excel, dear Jeanette, coming at you faster than you can stop them.


The shelf below the Rochers Perchers pitch arrives as a welcome refuge, but the take-off up the next mauvais pas comes as a shock; so overhung you stay dry in the rain, you are soon above a chuteful of thin air. Here is where Neil Allinson felt himself  slipping down the crag and realised the block he was pulling on ( one of the heavy Rochers Perchers themselves) was slowly sliding down towards him. Have you met Neil? He’s the coal miner who inadvertently pulled the Rochers Perches off; said it was like the pit roof coming down in Eldon Drift Colliery, Co. Durham.


The third of Eliminate A’s great pitches is the next one, slanting up leftwards beneath the great roof and using the edge of a crack as a handrail, made all the more enthralling for its lack of gear especially as you pull through and over onto the steep slab above - which is the fourth pitch of note. And what an immaculate pitch it is! A rising traverse on the very lip of the roof which has shadowed you for so long, with nothing but outer space below.


On you climb, up and up past the steepest rock, with holds and runners always coming. There’s a further pitch above, but it’s difficult to trace. The crack of Aréte, Chimney and Crack is a popular finish however.And then Murray’s Direct, the third of this trio of three-star routes. Then, when we used to stash our Bergen sacks under the cave on the scree, bouldering on the nail-worn slab immediately behind (4b today), I never dreamed that one day I, too would climb the inexorably smooth slab of Tiger Traverse - let alone the imperial line above: a magnificent corner hooded by overhangs and the essence of perpendicularity. Yet that is Murray’s Direct.


The Tiger Traverse slab is so tilted, the climber feels about to be tipped off onto the horrific landing below, gnarly jagged rocks and all. But wait. Today’s gear saves the day. Wires and Friends fit into a horizontal break immediately above the step up from a pointed flake, the next moves up and away also being protected by a further placement before the padding starts. Then happy holds are here again.


Tiger Traverse over, the open-book corner above is positively inviting. There  are beautiful holds for bridging; everything is so steep. But this is only the link pitch. The crux is still above, the corner itself deepening and  cowled with overhangs. Glance down between your legs as you bridge out above the tiny stance and it’s spit-straight to the screes. Then the immediate climbing has all your attention. Is it a layback, or a jamming crack, or will you bridge it as well? So near the belay, yet so wonderfully poised in such an outlandish position, it has seen the drying of the saliva glands inside many a leader’s mouth - that sure symptom of apprehension. No spitting now: at least not until relief once more flows through the body as you bridge and bridge again to reach better holds and begin to feel you are winning.


Shielded from the sun after mid-day but bathed in it before, Murray’s Direct is a well-protected line, complementing superbly both Eliminate A and, dear Jeanette, that climb I always associate with you, Hopkinson’s Crack. Whether you ever return to the rock or not (and surely it’s never too late, looking as fit as you do)  I can only wish you the very best. And hope you will now realise that whenever I might have so innocently gone on about  Hopkinson’s in the past, I saw it as a landmark to cherish rather than the reverse. A beacon in the light as the years roll by. We all need them. 


Take care then, Jeanette. Fight gravity  in all its insidious forms. There are so many straight faces around today, not to mention individuals with independent “miens”. Wherever did light-heartedness go?


All love and best wishes,

Yours affectionately,

Antonio (and his ice cream kart).

Antonio Frascarti:First published in Climber April 1992 

String of Pearls

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The sun cut through the mist and our senses were blunted by the technicolour glare. The plaques of granite became a gaudy mosaic across the face, and the String of Pearls acquired a lustre to match its name. To be frank, the Bosigran Girdle needs the magical touch of the sun, just as jewels need bright lights to sparkle. At risk of heresy it must be said that girdle traverses can be very boring indeed, and the middle sections of this one all but founder in the complex folds of granite. But not the start.

 At the right-hand end of the main cliff there juts a magnificent set-square of overhang, beneath which the early pitches nestle. Damp whiteness clamped the rock in cold monochrome as we swung on the Bow Wall. Some way across it the enfilading thrust of the sun flared on to the cliff. Our parting memories of Bow Wall were of granite as yellow as Catinaccio limestone, and of the 'Coalface’ slab of Suicide Wall glistening like newly spread tar.

And the rock was so hard. Three days on Bosigran had not lessened our wonder at its bruising density, as numbed Easter fingers, grown careless on more gentle,northern stones, came off the holds polished and raw. From a splendid pedestal stance in the middle of Suicide Wall, the great plates of granite pucker into a complex cluster of ribs and bays.

From this point the tempo changes completely, in a way that would have alarmed Glenn Miller, from one of whose titles Goodier and Deacon are reputed to have named the climb. Hitherto the scale and style of the surroundings have overwhelmed the deficiencies in detailed interest. Now, sustained only by what they can offer in climbing detail, the next four pitches are found wanting. Even the crux, a difficult and exasperating teeter across a very steep slab, is totally isolated in this confused and mediocre zone from those parts of the cliff which would give it real dignity.

It is in crossing Raven’s Wall, whose total height is only 120 ft that String of Pearls gets it together again. An overhanging fist of rock presses the route to within 40ft. Of the ground; encirclement of the knuckles provides a marvellous and disturbingly exposed 70ft. pitch. Tiny overlapping slabs lead to a steeply dropping hand traverse round the lowest forefinger of white granite; then the painful certainty of tired hands, thrusting deep into dirty cracks, brings this strenuous section to an end.

 As is so often the case,powerful rock architecture invests the lines that pass it with something of its majesty. The last pitch is delicate, unprotected and very lovely. For the first time the foreground is not the toy cove and picture-book island of Porthmoina, but the dramatic silhouette of the Seaward Cliff, creaming out of the Atlantic. The convex bulges glisten with a silvery, slickered sheen,roughened in striding sequence with a regularity unequalled by any human step-chopper.

The last pitch of Beaker Route completes the girdle, after 750ft. Of sustained, varied and often strenuous climbing. Regard the route as being like a rather dusty stretch of road, with the Bow and Raven Wall sections representing two automatic car-washers at either end, whose atmospheric drenchings erase enough of the journey’s grime to make String of Pearls fit for inclusion in this book.

Dave Cook

This article was intended for inclusion in ’Hard Rock’ but was omitted. Hence the reference to 'book' at the end. Like the essays in 'Hard Rock’ this piece highlights descriptive personal writing which seems so lacking in the magazines.

** After failing to make the cut for Hard Rock, Dave's article eventually appeared in Crags32. 

Steve McClure's Beyond Limits....reviewed

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Photo-V-Publishing
There was something about the cover shot and caption which suggested that, as climbing autobiographies go, this wasn’t going to be a Journey After Dawn or Native Stones. " The author, entirely focused and without a hint of fear climbing the Very Big and the Very Small ..etc’. Hmmm..Self aggrandisement, ironic self deprecation or simply the publishers hype slotted in for effect?  At least it sets the reader up for what lies within and that is, a climbing memoir from someone who is firmly rooted in that exclusive club of top end English rock technicians. Those who studied their craft at the feet of Fawcett and Livesey et al, before going on to outstrip them on English and Welsh rock.

Steve’s autobiography begins in the time honoured manner of many north country climbers. Not quite tramping on’t moors wi mother’s washing line and dragging Fred up a slimy green crack but a path nevertheless,well trodden by our friends in the North. He did have one big advantage however,over a lot of climbers who find they have a natural talent in the field. That is, of having outdoor loving, rock climbing parents which has to give you a head start.Typically, Steve progresses apace and his ambition and boldness sees him exploring further and further afield from his north Yorkshire base.

One anecdote which sticks out from these early years is when he climbs a hard route on Cloggy. Setting out late in the day, he and his partner finish in the dark. After taking an age to get down from the top of the cliff they fail to find their rucksacks and decide to walk to Llanberis in the pitch dark and back up to their camp at the Cromlech boulders, still wearing their rock boots and still racked up. Next morning they walk back to Cloggy still in tight rock boots as they had no spare footwear. It brings tears to my eyes just thinking about it! I’m surprised he didn’t end up permanently hobbled like one of those Chinese peasant women in Wild Swans!

Unsurprisingly for someone pushing his limits, Steve’s steep learning curve sees him take a big fall which left him unconscious in a churning  Irish Sea while climbing at Pembroke. The Welsh sea cliffs being the venue for another serious accident when Steve eggs on a punter friend to tackle a route beyond his capabilities with almost fatal consequences. Happily said friend survives and remains a friend of his to this day.

The reader will not be surprised given the books' fairly parochial emphasis, that no one gets benighted on an Alpine face in a storm or falls into a crevasse. Patagonian citadels remain unvanquished and the greater Ranges remain over the hills and far away. Apart from the occasional bus-man’s holiday to warmer  climes, the dank limestone walls of Yorkshire and the beetling cliffs of the Celtic fringes remain the main arenas of activity. In this regard, this can be seen as both the strength and weakness of Steve’s book. A strength in that  it allows the reader to really get a flavour of the physical and mental stresses and attributes required to push the limits on native rock. A weakness in that without being able-as Martin Boysen could do in his recent Vertebrate autobiography- range far and wide across world mountaineering and climbing in all its varied forms, Steve has to keep the focus tight and fixed.

In particular, concentrating a lot of the writing on the technical nuances of a hard route. Describing in the tiniest detail, the moves on routes like Hubble, Overshadow, Batman and Northern Lights. You have to say though, that unless you are one of those climbers who operates in that rarefied stratosphere or are a total anorak who has devoured every article ever written about these rare climbs, then detailing the technical minutiae is interesting for sure, but then I guess that for 99% of those reading the book, you could mash up these passages and no one would by any the wiser. But then again, many would say that if you have climbed some of the hardest routes in the world then you are entitled to describe those experiences in the finest detail.
 
An interesting philosophical aspect of Steve’s book for me is that is rekindled some musings I had after listening to a classic radio programme about rock climbing in the early 1990’s. Interesting in that it firmly placed modern climbers into two distinct camps. The Classicists and the Romantics or if you prefer, the Cavaliers and the Roundheads. In this regard Steve is very much a modern day Roundhead who appears to echo Ben Moon-or was it Jerry Moffat’s ?- statement that ‘I’m not climbing to be in nice places, I’m climbing for the moves man!’ In the same programme, Ed Drummond-no slouch he of course on the rock face but very much with the romantics- lamented modern climbers ‘juvenile pursuit of numbers’.

In this, Steve appears to recognise those sentiments when in the latter stages of the book he finds himself wondering out loud whether he is still enjoying climbing as he once did or had it become a rather mechanical process with the sole aim of ratcheting up the numbers to keep the sponsors happy.  In this regard though, Steve still dutifully sings the praises of Fat Face, Marmot , 5-10 and the other enterprises who have used him to promote their products. As a pro climber with a wife and kids to support these days however, needs must if you operate at the cutting edge. A climber of Steve's calibre has a limited time at the top. As Paul Simon says in Boy in a Bubble- ‘Every generation throws a hero up the pop charts’. Steve’s autobiography is written from the perspective of someone who has been ‘thrown up the pop charts’ but in 2015, is no longer the new kid on the block. 

Rather an elder statesman in his mid forties. Steve’s generation placed between the 70’s and 80’s Godfather’s of Rock-Jockery and the current bright young things who grace the glossies are-or should we now say, were?- a supremely talented golden generation of rock athletes with Steve McClure very much at the heart of this select group. Beyond Limits is an honest and revealing work from the perspective of a supreme rock technician. It might be lacking in the romance and poetry which singles out the classic climbing book, but I’m sure even ‘Cavaliers’ will learn a great deal and find a lot to admire in Beyond Limits!

Krab-o-meter rating...



John Appleby:2015

 

Rusty Westmorland: King of the Wild Frontier

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Rusty Westmorland standing by 'Westmorland's Cairn' built by his father and uncle above Wastwater.When he died his ashes were scattered here.

Horace ‘Rusty’ Westmorland was born in Penrith, Cumberland in 1886 into a family well known for their adventurous lifestyle. Indeed his father, aunt and uncle were noted for their un-roped ascent of Pillar Rock in 1873 which at the time was only the second ascent by a lady. The adventurous spirit which he had inherited, took him to the Alps in 1910 with the Abraham brothers and by 1911 he had moved on to Canada where he had secured a job as a chainman with a surveying party led by Arthur Wheeler. Not long after that, he joined the Canadian Army and rose to the rank of Lieutenant-Colonel and it was in this period that he gained his nickname ‘Rusty’.

Back in Lakeland, in his middle years, an incident which saw him involved in the rescue of Wilfrid Noyce in 1946 became the inspiration for the founding of one of the UK’s very first mountain rescue teams. The Borrowdale MRT which later evolved into the Keswick MRT we know today. He was known and respected for his remarkable longevity in the world of mountain activities. Climbing and walking until well into his 90’s and his services to mountain rescue saw him receive an OBE.

What might not be known about this remarkable mountaineer, is the full extent of his climbing adventures which spanned over 90 years. Starting on his very first birthday when he and his 2 year old sister, were taken for an open air overnight bivvy by his parents, on Norfolk Island on Ullswater. Two weeks later, they were both taken to the summit of Helvellyn to attend the bonfire to celebrate Queen Victoria's Golden Jubilee. On his 4th birthday, his father took him to Brougham Castle, where they both climbed up to the second story and back down again, without using a rope, and on his 15th birthday (1901), he climbed Pillar again with his sister and father, all un-roped. A daring feat for that time.


Rusty leading an unknown route.Probably in the Lake District
When his father died in 1909, Rusty became a man of private means so he was able to go out climbing almost every day.  During this freedom, he met and became close friends with George and Ashley Abraham, who he was to climb with on many occasions.

The year 1910, was for Rusty, the busiest climbing time he had had to date. It started in January climbing at Tryfan and Carreg Wasted with George and Ashley Abraham, where they climbed extensively before returning to the Lakes where he continued to climb until the end of February. In March with others, he made first ascent of Easter Crack on Elliptical Crag followed in April by a first ascent of Blizzard Chimney. With his cousins, he climbed more winter climbs on St. Sunday Crag; Fairfield; The Dodds; Dollywaggon Pike; and Catchedicam (Catstycam). In June he set off for the Alps with the Abraham brothers on a climbing photographic expedition. During their visit, they made many first ascents which became the basis for George’s book: ‘On Alpine Heights and British Crags’.

On returning to the lakes, Rusty continued to climb with his cousins making first ascents of Chock Gully on Dove Crag and a second ascent of Dollywaggon Gully. Possibly the first full true ascent in one climb.

In 1911, he went to Canada and secured work with a mountain survey party run by Arthur Wheeler, the founder of the Alpine Club of Canada. During his three years of working with Wheeler, Rusty climbed many peaks and summits in the Canadian Rockies along with Swiss guides such as Konrad Cain and the Fuez brothers. His list of ascents is impressive (some 1st and 2nd ascents)- many of which have still only seeing a handful of repeats- with well over sixty summits and peaks ascended in this period. He was also the first person to ascend the face of Mt Whyte through pure rock climbing.

He got a commission in the Territorial Army and following outbreak of WWI, he was commissioned in the Canadian Royal Transport Company. During his time at the front, he was nominated several times for mentions in dispatches for his bravery when he led his ammunition horse supply train under fire, to troops on the front line of both Ypres and the Somme.

He returned to Canada after the war, continued to serve with the Canadian Army and climbed and skied whenever possible. He was to discover climbing crags in Nova Scotia, was instrumental in discovering skiing venues in Quebec, and made significant climbing ascents in Vancouver and on Vancouver Island, some of which have been rarely repeated. In addition, he was a keen horseman and participated in many competitions in Halifax, Nova Scotia, winning several times in his class (heavy horse), and, he was also a good amateur golfer and all round skier.
In 1936, he went to the Alps with his close friend Dr. P. B. Finn (Director of Atlantic Fisheries), for two weeks and in that time, they climbed the Unttergabellahon, Riffelhorn (by three different routes), Rimpfischhorn, and then capped their holiday off with an ascent of the Matterhorn. When back in Cumberland, Gerald Greenback and others, had set up the Lake District Ski Club which Rusty was invited to be President of, which he remained connected to for the rest of his life. 
On his return to Canada, he made the first winter ascent of both East and West Lion outside Vancouver; made the first winter ski exploration of the entire Yoho Valley; discovered a crag called Eagle’s Nest and made first ascents of all routes in both summer and winter; wrote endless climbing and mountaineering articles for local newspapers; gave frequent illustrated talks on the subject, and, was fully involved in the mountain warfare training programme set up in the Rockies by the Alpine Club of Canada. This led to Rusty going on a clandestine visit to the War Office in London, which resulted in the Lovat Scouts being sent on the training programme, commanded by Frank Smythe.
With the onset of WWII, Rusty was given the go ahead from the Canadian Government, to set up and run the country’s first official military mountain warfare training camp at Terrace, east of Prince Rupert. Whilst travelling there on the train, he took seriously ill with biliary colic resulting in his gall bladder being removed. As a result, in 1945 he was medically discharged from the Army with the rank of Lieutenant-Colonel, returned to his beloved Cumberland, and settled down to his retirement in Keswick.
Never a one to allow any grass to grow beneath his feet, he was out on the fells and crags within days of arriving home.
A year later in 1946, he went to the aid of Wilfrid Noyce (Everest veteran) who had fractured his femur whilst out climbing on Great Gable. This event led to Rusty forming the Borrowdale Mountain Rescue Team which later changed its name to Keswick MRT. He was eventually awarded the O.B.E. for his services to mountain rescue, in addition to receiving the Silver Rope Award from the Alpine Club of Canada in 1947, being the only climber to do so that year.
Throughout his lifetime, he climbed and hiked the fells and hills of both the UK and Canada with many notable climbers; Haskett Smith, George Seatree, Norman Collie, Noel Odell, Bentley Beetham, Harry Griffin, Godfrey Solly, Tony Mason-Hornby (Ogwen Cottage), John Disley and many many others. In the 1960’s he suffered from stomach cancer – underwent 15 major operations – given a few weeks to live in 1964 – but was still climbing and walking in 1976 aged 90, without helmet, harness or other modern day climbing aids, and, wearing a full time catheter!
He published ‘Adventures in Climbing’ (1964), wrote articles for a variety of climbing journals, and, did the world’s first ever live radio outside broadcast whilst rock climbing with Stanley Williamson in Borrowdale- the broadcaster who was responsible for clearing Captain Thain of blame for the Manchester United Munich air disaster.
Rusty was a quiet unassuming person, preferring to be in the shadows of publicity. He took great interest in introducing many novices to rock climbing and skiing, and firmly believed in the adage, that climbers should not fall and as such, should learn to ascend and descend climbs in order to improve their climbing technique and abilities.
On 24th November 1984, Rusty finally succumbed to his illness and sadly, dementia, and passed away in a nursing home near Kirkby Stephen. A particular view from Great Gable, thought to be the finest in all Lakeland, was marked by his father and uncle by building a cairn in the 1830’s, now known as the Westmorland Cairn where Rusty's ashes were spread. He left an only son Horace Lyndhurst and an only grandson, Dickon who now lives in Australia.
Frank Grant:2015
Frank has written a comprehensive 400+ page biography of his subject and recently completed a biography of 'The Father of English Rock Climbing'WP Haskett-Smith. Both works will be published in the not too distant future. 
 

The Climber's Voice: Festival Memories

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ED Drummond out on a limb at an early event:Photo Ian Smith
 
When David Craig and I started planning the first festival on our 1987 journey to climb on the sea cliffs of Anglesey in North Wales, we wanted to include some elements that remained central to the experience which I tried to provide at every festival over its 21 years of life. The celebration of new work was the original impulse and perhaps we can be forgiven if some of that new work was our own. Nobody else was going to arrange readings from David's now classic book Native Stones or my first collection of poetry, The Stone Spiral. Being climbers, we were imbued with the spirit of 'just do it!' In the event I only read one poem from my own collection as an introduction to inviting other poets in the audience to read a poem of their own. (Ten years later I could invite David to read from his new book Landmarks, although fear of cries of 'Foul' prevented my programming a reading from my own latest collection, The Rope, even though every poem was a climbing poem.)

We were also aware of the imminent return to England of Ed Drummond and rumours about a book being on the way from him (A Dream of White Horses), so we invited him to do his poetry reading performance whilst up the pole (actually three poles – a 40ft high tripod with a small platform at the top).


David Craig leading his partner's classic Dexter Wall.
Women's writing about climbing was even rarer in those days than it is now and we wanted to offer encouragement to it, so we invited Marjorie Mortimer to give us what turned out to be an amusing, mocking talk about what she called 'The Mine Is Bigger Than Yours' display in men's climbing writing. We have always had at least one woman speaking at the festival, and memorable contributions they have been, such as Jill Lawrence's feminist analysis of the climate of magazine publishing for women climbers followed by octogenarian Janet Adam Smith saying stridently: "Well, I've never experienced any drawbacks in being a woman." We could quite believe that this was true in Janet's case, if not for her argument in general. 

Another memorable combination was that of the late Alison Hargreaves and Alison Osius, Senior Editor at Climbingmagazine (now with Rock & Ice) whilst visiting from the USA to talk about writing profiles of mountaineers. Alison Osius was actually writing what was to be the last interview profile of Alison Hargreaves, a tribute the festival was pleased to have made possible. 
We have always felt that the festival should be fun if climbers are giving up a whole Saturday to be talking about it instead of doing it. (This must have been the only festival in the world that prayed for rain.) At our first event Mike Mortimer gave us a quiz to test our knowledge of the literature. This was wittily devised and is published (with the answers, of course) in the book of the festival papers from the first five years, Orogenic Zones, published by Bretton Hall College.

The fourth festival featured a play devised by local school students using a specially erected climbing wall. For one festival, Rosie Smith and Celia Bull revived some of Tom Patey's songs and for another they wrote their own. Among the more bizarre ideas to inject a little fun into the festival was one that arose out of a pub conversation with the then young hotshot, Johnny Dawes, who had just sat his final exams at university and was enthusing about what a buzz they had been. So, when people ordered their tickets for the sixth festival they were invited to set an exam question for Dawes. At the opening of the festival he was given the exam paper of 14 questions from the audience and sent away to write an answer to one of them for a reading three hours later. He chose the question 'My First Time' and duly returned to carry off the reading of his paper with characteristic imagination, wit and flare.


Droll Wall Ascentionist: Climbing humourist Steve Ashton. Photo SA

On two occasions humorist, Steve Ashton, gave theatrical performances that took the audience by surprise. At the 10th festival he was a climber in a mental hospital in conversation with his therapist. This was both very funny and extremely moving at the same time. The fourth element of the first festival that became a cornerstone of our planning was controversy and debate. Dave Cook's lecture at the first festival threw out a challenge to mountaineering literature to be more inclusive (of women, young activists, climbers from minority ethnic groups, foreign literatures), more connected to climbers’ wider lives (as workers, lovers, and political, even musical, creatures) and more expressively experimental in form.

We regularly commissioned new poetry, from septuagenarian Guy Kirkus, the brother of Colin Kirkus, for example, and from the festival's popular discovery, the young feminist climbing poet, Kym Martindale. We also tried to commission new work from younger climbers. Fourteen-year old Chris Briggs, who read his poem 'Doomsville' at the fifth festival, held the record. At the 10th festival, bold young activist, Paul Pritchard, took the audience by storm with his writing about the Llanberis rock-climbing scene with the result that publisher Ken Wilson was not talking about if he was publishing Paul's book, but when he would be publishing Deep Play, which went on to win the Boardman Tasker Award the following year.
 
Debate was lively each year following the adjudication speech by the Chair of the Boardman Tasker judges. At that time this was the only public opportunity to hear this speech and to hear the winning writer read from his or her book following the press announcement at The Alpine Club in London. By the time the short-list had been announced opinions had formed about what ought to be the winner and views could be aired in the presence of the Boardman and Tasker families who were reminded annually of the seriousness with which this award was coveted by writers and publishers in the audience, to say nothing of the seriousness with which the bibliophiles in the audience held opinions about their reading of the entries. Of course, one ought to say that a specialist bookshop run by Jarvis Books of Matlock, did a good trade in providing books to be signed by writers present for the day. For Grant and Val, great supporters of the festival, Christmas always came early.

Finally, the international dimension, which was begun in a unique and topical manner by Waclaw Sonelski's lecture on 'Climbing in Poland Under Communism', produced a series of authoritative papers on the mountaineering literature of France from Anne Sauvy, and of Italy from Mirella Tenderini. Allen Steck gave us an insight into the secrets of keeping up the innovative standards of Ascent. (Much of this seemed to do with Ascent'shaving its own wine label.) Then, also from the USA, Mikel Vause (famously named by Maggie Body ‘Full Dome’) shared with us his PhD research into mountaineering literature, Of Men and Mountains, and Pete Sinclair, who explored for us his thinking about access to wilderness after writing his book, We Aspired, came back each year simply to sit in the audience because he had found the festival so much fun on his first visit. Singer and storyteller, Sid Marty, also travelled more than once from Canada to amuse the audience with his deadpan wit.

Despite the international stars who talked about their writings like Chris Bonington, Doug Scott, Stephen Venables, Kurt Diemberger, Paul Piana, Doug Robinson, Pat and Biaba Morrow, the show was often been stolen by the old-timers like Tom Weir from Scotland and Charlie Houston and Bob Bates from the USA, or the unexpected discoveries such as Irish storyteller Dermot Somers and retired Hodder and Stoughton editor, Maggie Body. Indeed, the unpredictability of the event was perhaps part of its charm. However, this should not suggest that the organisation itself was unpredictable. We prided ourselves on running an event where things happened on time and, with very little sponsorship income, on keeping ticket prices as low as possible.

 A number of people were stalwart supporters of the festival throughout the years. The late and hugely missed Paul Nunn, especially in the early days, lent our discussions his idiosyncratic wisdom and widely respected authority. Jim Curran was always on hand to debunk any pretensions or drop his papers on the floor and reshuffle them for his talk. Ian Smith annually rehearsed his very professional readings from the winners of the Festival/High magazine writing competition. In addition, late in the festival day we opened an exhibition of original mountain paintings as a break from the festival's intense pace. We were delighted to find that the festival could offer hospitality to passing luminaries, such as Harish Kapadia, Editor of The Himalayan Journal, so that they are able to honour the festival with their presence whilst they were attending events elsewhere in the UK. 

We found ourselves consulted in the setting up of similar mountain literature festivals in other countries, such as the Banff Mountain Festival in Canada and at Passy in France. New activities started springing up around the festival. A group of women climbing writers who met at the festival each year began running a weekend writing workshop prior to the festival. Their occasional publication, Women, Mountains, Words, is still appearing and four of those women have produced their own books at the last count. We were able, as a result of the generosity of the Paul Nunn Memorial Fund, to recruit from the USA one of Mikel Vause’s former students, Kaydee Summers, for the Paul Nunn Scholarship to begin a PhD student researching mountaineering literature

When Bretton Hall closed as a campus of Leeds University the festival was welcomed into the arms of the Kendal Mountain Film Festival but a one-day book festival could not find a satisfactory place within a weekend film festival and our traditional loyal audience, faced with too many choices at Kendal, faded away. Twenty one years of running an annual one-day festival seemed like a good time to retire from the job and the festival closed.


Better Red than Read:The late Dave Cook.Photo Ian Smith
 
Dave Cook's polemical lecture at that first festival had become our manifesto and a standard by which we could evaluate ourselves each year. Dave Cook concluded by quoting the Lake District poet Norman Nicholson with a quotation that is a useful reminder of why we continue writing and reading about our sport: 

Mountains should not serve as an escape from reality. They are surely an escape back to reality.

Tery Gifford: First published in Climber and republished by kind permission of the author.

29/5/53........A Short Story

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It is after midnight and I  have been lying awake for an hour now. It’s not that I don’t want to sleep, but the cold is creeping into my bodyand I feel miserable. The eiderdown in my sleeping bag and the two inches of my air mattress are all that separate me from 27,900 feet of hard, cold, rock. This is just one of the contributing factors adding to my discomfort. Another is that the air is not as dense at this elevation due to reduced atmospheric pressure so it is hard to sustain my mental and physical alertness. To put it more pithily, I feel sluggish.However, the main reason I feel the way I do is because it is bloody cold out – minus 27 degrees Centigrade! I know there is nothing I can do about the temperature, but there is something I can do to lessen the discomfort. However, I either have to suffer some discomfort for another hour and then sleep, or sleep now and suffer later. Lying next to me is a light alloy cylindrical oxygen bottle that has two hours’ worth of oxygen left in it. That is two hours if I adjust the flow rate to one litre per minute, less if I jack up the rate. That doesn’t sound like a whole lot and in reality it isn’t. This odourless, invisible gas which flows out of the bottle through a regulating valve and mask into my lungs, permeates through my body within seconds and warms me up, allowing me to rest comfortably. Unfortunately, there is not enough oxygen in the bottle to get me through the whole night so I have had to turn it off. I decide to wait another hour before turning on the oxygen. This way I can sleep for two hours just before beginning our assault.

Tenzing, who is sleeping on the lower shelf, is no better off than I am in these cold, cramped conditions. His feet are over-hanging the steep slope because the bench he is lying on is too short for his stretched-out body. For his own reason he has decided to sleep with his boots on. They are not the high-altitude boots designed for our British expedition, but the Reindeer boots issued to him by the Swiss last year. I have chosen to take my boots off and use them to prop the toe of my sleeping bag off the ice as my legs are draped across Tenzing in the lower corner of the tent. This thin, flimsy piece of material is the only thing protecting us from the elements, the elements we have no desire to deal with in the dark.

The wind that would begin its violent roar on the ridge above and rapidly descend towards our tent like an agitated swarm of bees returning to their hive after a day of frenzied honey collecting has finally abated and it is now calm and quiet. I no longer need to use my body as a brace against the fabric of the tent.

As predicted, I awake at 4 a.m. when my oxygen supply runs out. A quick peek out the tent door reveals an inky black sky above, but down below the peaks are beginning to glow in the early dawn. Fifteen thousand feet below us Tenzing points out Tengboche Monastery, a sight that he believes is a good omen. I sure hope so! As I recheck the oxygensets, Tenzing fires up the Primus and we begin consuming large quantities of lemon juice and sugar. One of the detrimental side effects of climbing at high altitude is the loss of appetite and thirst, but I force myself to at least drink.

A major concern of mine is my frozen boots. I reprimand myself for not leaving them on in my sleeping bag as I cook them over the Primus stove. Despite the acrid smell of scorched leather that permeates the tent I manage to soften them up enough to get my cold feet into them.

We don every piece of attire we have with us, including our precious down clothing and wind proofs, and our gloves – all three pairs. Tenzing is also wearing the red scarf given to him by Raymond Lambert, and Earl Denman’s balaclava. I check my camera and set the aperture now so that I don’t have to do it later. One less thing to worry about if we reach the summit! At 6:30 a.m. we crawl out of the tent. Our first task is to strap our crampons onto our boots. Although a simple task at lower elevations, I feel like a farrier who has struggled to attach horseshoes onto the hooves of a Clydesdale. Finally, I set both our oxygen gauges at three litres per minute instead of four as we had planned. I know that by doing this we will be breathing less oxygen, but the bottles will last longer and hopefully get us further up the mountain before we need to change them.

As I tie onto the rope my mind wanders and I remember today is May 29, the 150th day of the year. A rather ordinary day, but I am reminded of my Sunday school teacher in Auckland who talked about Psalm 150 from the Old Testament. It is the last psalm in the Book of Psalms. In it the writer urges the congregation to praise God with music and dancing. Although I am not going to sing, I feel my first step of the day towards the summit is my way of praising God, either my Christian God or Chomolungma, the Tibetan Mother Goddess of the Earth. I slowly lift my right foot and let it sink into the snow. My crampons bite into the ice below and I automatically move my left foot up. My dance has begun!

I decide to let Tenzing lead as my feet still feel cold and I feel a little unstable. From our tent we need to angle up a bulge back towards the Southeast Ridge. It’s not very far but the traverse allows us to set a rhythm with our breathing and stride. The lower angle of the climb means we don’t need to breathe too hard. ‘Breathe too hard,’ that’s a joke! I take one step, which is an effort, and then pant for 20 seconds before taking a second step. Although Tenzing is shorter than me and his legs aren’t as long, I am not chaffing at the bit behind him. The length of my stride is usually longer, but because of the effort to lift my legs, my step is shorter and therefore I comfortably fall into stride behind him. Gradually my feet begin to tingle, a sure sign that blood is reaching my extremities and warming up my toes alleviating my concern about frostbite.




On top of the bulge, the South Summit towers a further 500 feet above us. It looks so close, but I know it will take us another two hours to reach it. Angling out to the right  from the South Summit are great menacing cornices overhanging the Kangshung Face which lead to the main summit somewhere beyond. I now take over the lead and arrive at a sharp narrow ridge. I avoid the sheer ice on the right and head to the left where it looks more manageable. Here I find a breakable crust, the bane of mountaineers. The snow holds my weight for a few seconds, giving me a false sense of security, then shatters beneath my boot causing me to lurch forward knee deep in powder snow. In spite of this, I feel I am moving well and persist in these trying conditions for another half an hour. We cross a little bump in the ridge and there lying in a hollow are the two oxygenbottles left by Charles Evans and Tom Bourdillon. I wipe the snow off the dials and see that they are just under a third full. By my calculations we should be able to get to the top and back to here with the oxygenwe are carrying. We will be able to use these bottles to continue the descent.

Above us a 400 foot snow slope rises steeply towards the South Summit. Tenzing and I now alternate the lead. A thin skin of ice covers deep snow and my fears are heightened when a six foot wide piece of ice shatters around me and begins sliding down the mountain. I stumble backwards but remain on my feet and watch the ice as it continues to gather speed and slides down out of view. I feel my heart rate increase, but take a couple of deep breaths and pause for a minute to calm myself before moving on. I am aware of the precarious conditions and know that we need to be cautious.

At 9 a.m. we emerge on the South Summit and look for signs of footprints. Three days ago our teammates reached this point, the highest anyone has been on this route. I sense their spirit is with us now, urging us on. They, and the rest of the team, have contributed to getting Tenzing and me to this point. Without the team and the gradual build up over the last months, weeks and days, we would not be standing on the South Summit where our ultimate goal of reaching the top of Mount Everest is now within our grasp.

Tenzing pulls his water bottle out and we take a drink of sweetened lemon juice and I check our oxygensupplies. Both our bottles are almost empty so to save weight I remove them and hook-up our full bottles. I take care to make sure they are securely attached and that there are no leaks in the system. We have roughly four and a half hours of oxygento get us to the top and back down to the bottles we found and don’t want to be cheated by faulty connections.

With a growing sense of excitement I move down from the South Summit to the small saddle at the start of the final summit ridge, the ridge we saw from below with the great menacing cornices. We are now in uncharted territory. When I talked with Tom and Charles at the South Col after their attempt, they could only speculate about what conditions would be like for us and what we could expect, but now we are literally ‘rubbing our noses’ in it. I lead on for 40 feet cutting steps then I plunge my ice axe into the firm snow and belay Tenzing up. Tenzing then leads off and does the same. We continue in this manner until we reach the base of a great rock step. I had seen this imposing feature from the South Summit and knew that it might prove to be a major hurdle, but I focused on the task at hand to get us to its bottom without dwelling on it. It is very easy for the mind to play games when the brain is not functioning at full capacity due to low oxygen; therefore I want to deal with one step at a time.

At nearly 29,000 feet I am confronted by a sheer rock wall that appears unclimbable. However, looking out to the right I can see what looks like a possible route. Overhanging the precipitous Kangshung Face is a great ice cornice that gravity has pulled away from the rock leaving a narrow crack running up the full length. I nervously wonder if the cornice might collapse under my pressure, but there is only one way to find out. I make sure Tenzing has a solid belay and then ease myself into the crack. Facing the rock, I jam my crampons into the ice behind me and wriggle upwards using any feature I can as a handhold. My breathing is labored and I am puffing hard. The ice is holding, and slowly, inch by inch, I climb the 40 feet and, in a state of exhaustion, pull myself onto the top of the rock step. I lie there panting for a couple of minutes and then slowly arrange a belay to bring Tenzing up. I wave down to him to indicate that I am ready and then he too begins the task of climbing up the fissure. After about 10 minutes he arrives panting next to me. I am now sure the summit isn’t very far away.

I again begin cutting steps in the ice reassured by the fact that the ridge is no longer as steep. I can feel the excitement mounting. I want to go faster. I want to get to the top! Amongst climbers this sensation is commonly referred to as ‘summit fever’. I am in the throes of summit fever, but am tormented by the fact that the ridge appears to go on and on, and all I can do is to continue to move at my snail’s pace.

Ahead of me now is a rounded snowy dome. It must be the summit. Back in 1924 George Mallory and Andrew Irvine were last seen just below the second step on the North Ridge still moving towards the summit when clouds moved in, hiding any further view of their progress. I often wonder if one, or both, of their bodies sit quietly frozen on the summit, but I can now see they do not. Maybe I will find something in the snow they have left behind. With two more steps I move onto a flattish exposed area of snow with nothing but space in all directions. Tenzing steps up beside me. This is it. This is the top. The highest point in the world! The summit of Mount Everest! It is a moment I will never forget. My skin feels charged, electrified, and goosebumps form down the nape of my neck. This pleasant feeling when mixed with my mental state produces a wonderful euphoria. I can feel a huge grin charge across my face. I turn towards Tenzing and reach out with my arm to shake his hand. This is not enough for Tenzing and he throws his arms around my shoulders and gives me a big hug. In this moment I realise that a handshake is too formal, too British. I too reach around my companion and hug him, thumping his back. Even with the oxygen mask on, I can sense his excitement. It is 11:30 a.m. on the 29thMay, 1953.




I know we can’t stay on top for long, but this moment has to be savoured. I turn off my oxygen and remove my mask. My face is immediately prickled by ice splinters carried by the wind. I reach inside my down jacket and bring out my camera as Tenzing unfurls the four flags wrapped around the shaft of his ice axe: the United Nations flag, the British Union Jack, the Nepalese flag and the Indian flag. I take a photo of Tenzing standing on the summit with the flags flapping in the breeze, then turn to take photos looking down on the major ridges as evidence that we have reached the summit. The view is dramatic! To the south, east and west are mountains as far as I can see including the mighty Kangchenjunga and Makalu. To the north is the brown, barren Tibetan plateau. However, the most moving view is looking down the North Ridge towards the North Col and the Rongbuk Glacier.

This is the route where many of the early feats of courage and endurance were performed by the British expeditions. In the early 1920’s men struggled and fought their way to reach 28,000 feet without modern equipment and without reasonably efficient oxygen sets. I can see part of the ridge where they established their high camps, but the last 1000 feet, which proved to be such a formidable barrier, is hidden from view. The slopes drop away with frightening abruptness from the snowy summit pyramid. Again my thoughts turn to Mallory and Irvine who lost their lives somewhere on the mountain 29 years ago. I look around for some sign they have reached the summit, but can see nothing.

I turn around and see Tenzing crouch down and dig a small hole in the snow. I watch as he places in the hole some pieces of chocolate and other food and some small gifts for the gods whom he believes spend time on the summit. This jogs my memory and I reach into one of my pockets and pull out a small crucifix that John Hunt, the leader of the expedition, has given me. He asked me to leave it on the summit and I promised I would do so. I bend down and press the crucifix into the snow.

The 15 minutes spent on the summit have passed too quickly and I must think about going down, but before I do there is something else I have to do. Our expedition doctor Griffith Pugh always stated one of the greatest risks faced by climbers going high is dehydration. Before departing the tent Tenzing and I quaffed down copious quantities of hot lemon juice and now as a consequence I have a full bladder. There is nothing else to do but urinate. I move down the ridge on the Tibetan side a few feet so I will not be disrespectful to the highest mountain in the world. I focus on a rock slightly buried under the snow and when I finish I notice something jutting out beneath it. I look back over my shoulder at Tenzing. He has removed the flags from his ice axe and thrust them into the snow and is now looking back down into the Western Cwm towards Tengboche. I reach down and flip the rock over and there is an old sardine tin. Bloody hell! I don’t know what to do. Should I pick it up or flip the rock back over it. Curiosity gets the better of me. It takes a bit of prying, but I manage to free it from the ice. The tin has been opened and the inside is frozen ice. I turn the tin over in my gloved hand and notice a date scratched into the metal with the point of something sharp. I can’t believe what I am looking at. The date etched is 1947!



My initial thought is that the tin must have been left by Mallory or Irvine, but seeing the date I know it isn’t theirs. It takes me a second to recall who else has been on the mountain and I remember Earl Denman, the Canadian. He made an illegal attempt from the Tibetan side in 1947 with Ang Dawa and Tenzing, the very same Tenzing who is standing not more than 10 feet away from me and wearing Denman’s balaclava. I am beginning to feel lightheaded so I put the tin in my pocket and move up to Tenzing. I don’t say anything! I just give one nod of my head as a signal that it is time to leave. He too senses that our time on the summit is up. I clear any built-up ice from my mask, replace it on my face and turn on the valve. I check Tenzing’s valve to make sure it is working okay and then we begin retracing our steps down from the summit. A few feet down I stop and glance back at the summit stunned by the reality that someone had reached the top before us, someone else’s boots had left their footprints in the snow!

My lightheadedness disappears once I begin breathing the oxygen and I notice a distinct brightening of my vision. I just wish it would also clear my head of the sardine tin dilemma. Had Tenzing reached the summit with Denman? Why had he never said anything about Denman? Maybe Denman went for the summit by himself and didn’t tell Tenzing he had reached the top! Should I say something to Tenzing? Obviously, now isn’t the time. I have to focus on the descent!Coming down off the summit I am finding it much easier knowing the route and having steps to follow. In what seems like no time at all I am back at the top of the rock step. I down-climb the familiar crack reversing the procedure I had used to get up and wait for Tenzing to join me. Although tired, I am not too tired to be careful. I continue the descent down the ridge and after a short rise, I crampon back onto the South Summit. It has only taken one hour. I have a swig of sweetened lemon juice and hand the bottle back to Tenzing. I feel refreshed as I turn and begin descending again. Several times I touch the outside of my jacket pocket where the sardine tin is stashed. I have to reassure myself that it is real.

It is real and so is the fear I am feeling as I face the descent down the steep snow slope. The snow is very firm and Tenzing leads off re-cutting the steps as he goes until he reaches the end of the rope; then I come down. I carry on ahead and produce a neat line of steps for Tenzing to follow. To the left the snow is a little softer so I move over and begin stamping out firm footholds. This is done to ensure our security as the exposure below us is scary. Eventually I start moving right onto a narrow ridge above our camp and come across the oxygen bottles. We load them onto our backs and descend the short distance to our tent where we collapse as the oxygen bottles we are breathing from are now empty. It is 2 p.m..

Tenzing lights the Primus and makes refreshing hot lemon juice with sugar while I take the empty bottles off the pack frames and attach the one third full bottles. Going down I calculate we can get all the way to the South Col if I set the flow rate at two litres per minute instead of the three litres we have been using. I push the sleeping bags, air mattresses and personal gear into our packs, but leave the tent and empty oxygen bottles where they are. I can now sit down and enjoy the drink!

Although I am tired and my body feels numb, I take some time to reflect on the sardine tin and the moral dilemma of what to do with it. Why had Earl Denman never said anything about his ascent? Was it because it was unlawful? The Tibetan authorities know nothing about his attempt and if they did would it have implications for future expeditions? It is possible Denman’s ascent would not have been believed by the mountaineering community unless he had photographic evidence. So why, then, did he leave anything at all on the summit? Because it would verify his ascent when it was eventually found? If I had not walked from the summit down the North Ridge those few feet I may never have seen the rock or found the tin underneath it. Why did he bury it down there and not leave it on the very summit where it would have been more obvious? I start to suspect that he didn’t want it found by the next party to climb the mountain. The only sense I can make of it is that he wanted that party to announce, to the world, their success in being the first to conquer Mount Everest. Maybe in the future other mountaineers, who reached the summit from the north, might have found the sardine tin, but by then it would be too late to change history. Fortunately, or unfortunately, I found it! I know now what I must do.

With a last look at our tent that has served us so well I begin the final descent to the South Col. I follow Tenzing as we head towards the tattered remains of the Swiss campsite where we branch off on our last stage down to the great couloir. After a couple of feet I pause and pull the sardine tin out of my pocket. Looking down at it I silently acknowledge Denman’s extraordinary achievement and promise to find him when I get back to England. I throw the tin over the edge into the abyss. My heart cries as it disappears from sight.

Below us I find that the wind, which has been blowing in the latter part of our climb, has completely wiped out our tracks. It is now a hard, steep, frozen slope before us and in our tired state the gusting wind is trying to pluck us from our steps. I am resigned to cutting steps for another 200 feet before handing the lead over to Tenzing who cuts another 100 feet of steps.

At long last we exit the couloir and plod wearily down the long, easy slopes above the South Col. I can see a figure coming towards us and know it is my ol’ mate George Lowe. Tenzing and I both stop and turn to look at the mountain. This will be the last time today that the two of us – just the two of us - will stand together before the mountain and share this unbelievable day. The intensity of the wind is rising and a plume of snow is blowing off the summit ridge. Any sign of our footprints will soon vanish. Tenzing lifts the mask from his face, turns and leans towards me, the silhouette of Mount Everest mirrored in his dark obsidian eyes. In a discreet voice he whispers: “Secrets buried in the snow stay buried in the snow.”
Lindsay Elms: 2015.


Extracts from George Sansom's Climbing Journal: 1909-10

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 Great Gable: Dalmar Harmood Banner 1941. (Lakeland Arts Trust)

August 18th 1909: Wednesday:
I walked up to the camp andBotterill said he would come up the Napes with me. Mr. Lloyd and I started up and reached the Dress Circle, where we lunched. In the Needle Gully were three would be climbers and three friends. They tried the crack on the West side but for one quarter of an hour had made no progress. Then Mr. Botterill, Mr and Mrs Addyman and the former’s sister arrived. He led me up the Abbey Ridge which first yielded to his powers in April last. Since then, it has been climbed some fourteen times. The climb starts up somewhat broken but firm rock to the left of Easy Chimney on the Eagle’s Nest. Then a large slab projecting over the Arrowhead gully is reached. This affords a good take-off for the next portion which is fairly hard and very sensational.

A broad grass ledge is reached which offers a resting place before tackling the next pitch which consists of a magnificent rock face nearly vertical for about 85ft. About 70ft up is an overhanging portion and this is the crux of the climb. The first part is very sensational and rather difficult; a short traverse is made to the left and then higher to the right again. The holds beneath the overhang are small and scarce, a most important one being hidden beneath the lower left-hand corner of the projecting rock. Thence, the route is slightly to the right where a little shelf is reached and a pull up on it is effected. A few feet higher another grassy platform terminates the difficult portion. The next pitch is somewhat difficult but quite short. Above that, the easy portion of the Eagle’s Nest climb is joined.

We then descended the Needle Arete, Mr Botterill giving me a lesson in leading down. I found the rounded slabs below the West crack the hardest part. The holds are small and few; it is best to keep on the Needle Gully side of the slab, then the holds can be better appreciated. The final pitch is not very difficult to descend. By this time, one of the three men had reached the shoulder and the second was in the crack. Mr Botterill offered to lead them up and we rapidly climbed the Arête. In climbing the last pitch, the ascent to the Mantel-Shelf is best done from the extreme right hand side of the shoulder, then on traversing the shelf to the left, the left knee can be easily placed on the rounded knob of rock. A finger and thumb hold for the right hand being found near the corner, on straightening up on the left knee the rounded hold far right is reached and by standing on the shelf where the left knee is, the top is reached and a pull-up effected. We brought up the three climbers and descended the Western Crack of the Needle — the Wasdale Crack.

Mr. Botterill’s climbing is a marvel of neatness and skill, nerve and muscle. He then led the two  ladies up the Arrowhead Gully and I led the two gentlemen. Reaching the grassy ridges between Hell Gates, we walked up the left side of the  Westmorland Crags to the summit of the Gable. Then down steep grass slopes to the Head Tarn where our party divided — Mr. Botterill, Mr. Lloyd and Mr. Williamson returning to Wasdale and myself and the two others to Seathwaite, thence to the Albion Hotel, Keswick.


Abraham Brothers glass plate image:Fell and Rock Club

April 3rd and 4th 1910, Sunday and Monday:

Cycled to Seathwaite and then walked up Grain’s Ghyll to Great End which was in a thick mist. After refreshments, which included some excellent coffee of Mrs. Abraham’s, we deposited the rucksacks under a large boulder at the foot of the Central Gully and began the ascent. We heard the voices of other climbers somewhere on the crags  to the right of our gully but could not see them as it was snowing fairly fast. Abraham led, rapidly kicking steps in the hard snow. Some distance higher, the angle steepened and steps had to be cut as there were two inches of fresh snow lying on ice. There were traces of a previous party but their steps were almost obliterated. About half way up we came to a large pitch in the shape of a vertical wall of ice on the left and a cave roofed in by a large boulder on the right. I anchored myself in the cave  while Abraham cut up the wall on the left.

About two thirds of the way up or 15Oft higher, the gully was divided by a narrow rib of rock. The left hand branch ran up to the sky line some 80ft higher in a very steep slope. Abraham was beneath the central rib of rock and I was  some 6 yards behind and sheltered by the projecting rocks on the right of the gully. At this point the mist thinned and the sun came out faintly overhead. We were admiring the scenery which was magnificent when our attention was attracted by a hissing noise in the left hand gully.A few second later a large quantity of the surface snow shot past us and disappeared with a faint roar over the vertical wall below. Before we had quite recovered from our astonishment, a similar but larger avalanche swished down the right hand branch, up which our route lay, and passing between us, (we held up the rope to prevent a jerk) obliterated all traces of the steps which Abraham had cut. 

Never having been on a snow slope before, I was somewhat alarmed although our positions were quite safe. The friendly rocks effectively protected us from avalanches but their ascent was impracticable. After a consultation during which two more avalanches passed between us -so close that either of us could have touched them from where we stood -and disappeared over the pitch below, leaving a track of smooth ice which looked very sinister, we decided to descend the right side of the slope, under the shelter of rocks for 50ft and then to force a way up a break in the right wall. To effect this, it was necessary for Abraham to traverse the exposed portion of the slope, to where I was anchored. To shorten the time during which he would be on the dangerous part, I cut three steps on my side of the slope and  he did the same on his.

Then after the next avalanche he rapidly and very skilfully traversed the slope and joined me. We descended to the break in the wall and Abraham led up on to the face. The rocks were coated with ice and snow and in parts very rotten but they seemed very welcome after the treacherous snow in the gully. The rocks necessitated very great care and took us about 3 hours, but John Abraham led splendidly.

It was very cold and snowing again when we reached the summit cairn. We consulted my compass -unfortunately the map was left in the rucksack and so was the lantern — and we struck off in an Easterly direction. We passed two other cairns leading down towards a steep snow slope and cautiously following it we came upon some footprints and farther on traces of a path, which led us down on to a sort of col. The valley to the left was our objective but the direct descent into it appeared steep and craggy in the dim light, so we followed the path thinking it would shortly bend round to the left. However, some long time passed before we came below the mist and there in front of us lay a fine tarn, with our path winding up the fell side above it and to the right. 

Abraham said it must be Angle Tarn, and that we were on the Esk Hause track to Langdale. It was very dark by this time, and we did not wish to get to Langdale or to return to the summit of Great End, so we struck off down the valley on our left by the side of a stream. It was stony, rough and very dark. In parts it was boggy and very soft. For hours we trudged gaily along without any signs of human habitation.

Once we came to a fine wall with a gate leading through and we expected to come on a house, but in vain. We struggled along through streams and over boulders, yet remarkably happy and contented withal. Eventually, J .C.A. spotted a continuous wall on our left and thought there might be a path on the other side. We scaled it and were delighted to find traces of one. It varied absurdly from a perfectly level carriage road to a rough scramble over boulders. Gates we encountered at intervals, but still no sign of habitation.
Eventually, on rounding a corner, we saw a distant light and raised a cheer. In a few minutes we reached the cottage and on enquiring where we were, heard that it was Stonethwaite and we had walked the length of the Langstrath Valley. A farmer very kindly took us a short cut over the fields to the main Borrowdale road, and an hour later we reached Seathwaite Farm again. It was 10.00 p.m., we had been out 12 hours, had three sandwiches to eat and done a strenuous climb.

When asked what we would like to eat, Abraham suggested ham and eggs and these were promptly prepared and ravenously eaten. The coolness of these proceedings did not strike us until later. We retired to bed but were too tired to sleep soundly. However, we awoke refreshed and discussed the situation. Whiting expected us Sunday evening and we feared that he would wire to Keswick, and on finding that we had left, would send out a search party. Hence we thought it our duty to reach Wasdale as soon as possible. Accordingly I left at once and reached the hotel at 9.00 a.m., in time for breakfast.

Then I returned to Sty Head to meet J .C.A. and Westmorland who had brought down our rucksacks from Great End. Expecting to do Kern Knotts, I had left my axe behind. As Westmorland was keen on doing Cust’ s Gully, I went back to Wasdale and the other two went on. They had a good day and found that most of the new snow had come down.

Needle Gully glass plate image:Fell and Rock Club

George Sansom: 1909

Barefoot in the Twenties

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AB Reynolds climbing Murray's Route on Dow Crag-Barefoot and in winter!


For many with an interest in the evolution of British mountaineering the twenties appear as an out of focus blur on the distant landscape of climbing history — one of the least documented periods since the beginning of the sport. This era really belongs to the Lake District and a small band of outstanding leaders whose pioneering deeds are often little more than the cold print of first ascents at the back of a climbing guide. A. B. Reynolds was one of the lesser-known innovators of this exclusive group, and although overshadowed by the legendary Kelly and Bower, his short climbing career gained prominence more from his extraordinary capacity of leading some of the hardest routes of the day in bare feet, than from a portfolio of first ascents.

These were not stunt exploits — he genuinely enjoyed discarding his footwear, feeling a greater sense of security. Even the coldest of weather appeared to have little affect on his feet, toughened by boyhood rambles on shingle beaches of the south-west and later by their exposure to the elements on his many sailing trips. Faded memories of youthful days recall a tall athletic figure, hard as teak, with remarkable stamina. Arthur Basil Reynolds, son of E. S. Reynolds, who climbed with Archer Thompson during the early days of rock-climbing in North Wales, was born in 1903 at Bridport, Dorset. He was educated at Sidcot Friends' School and continued to follow the Quaker ideals throughout his life. As a young man he gave expression to his creative talent by training as a cabinet maker, working for some time for Stanley Davies of Windermere, producing hand-built, household furniture of the highest quality — no nails or screws in his work!

Eventually, he established his own business at Ludlow in 1946. Despite his pacifist views, he served in the forces during the second war, mainly because he found it impossible to stand aside from the sacrifice and suffering which he saw around him. He first appeared on the climbing scene in the mid-twenties and was in on the third repeats of Great Central Route and Moss Ghyll Grooves. As a leader he made his mark with an early ascent of Central Buttress (probably the fifth ascent) — he was on Bower's rope on another occasion and climbed the route barefooted. Such was the small, closely-knit, climbing fraternity of the twenties, it was inevitable that Reynolds would meet George Basterfield, one of the great extrovert personalities of those years and it was on Tower Buttress, Scafell, climbing in the rain, that ( Basterfield had painful cause to remember an outing with A.B.R.

Whether he was barefooted is uncertain, but Reynolds became parted from the crux  and fell outwards over his second, who fielded him well. Unfortunately, in the process, the thin Alpine line sliced through Basterfield's thumb, severing it at the centre joint. Basterfield cried, "I've lost my bloody thumb!" and despite a frantic search the detached digit was never found. Amazingly  enough, the heat generated by the rope ( fused the loose skin together and no further treatment was required apart from a light dressing.


George Basterfield with Harry Griffin.

Fell circuits were introduced to the Lakes by Victorian mountaineers intent on conditioning themselves for a season at Zermatt; from this, various courses were devised, some of an extremely arduous nature, taking in as many tops as possible within a set time. As rock-climbing developed, it seemed a natural progression for strong fell-walkers who were also rock-climbers to attempt a climb on every principle crag in one expedition. One of the first recorded tours of this type took place on July 13, 1929, when Reynolds set off on a solo excursion intending to visit as many major cliffs in the Lake District as possible. He left Langdale at 10.30 am and ascended Route 'A' on Gimmer Crag, experiencing some trouble with his nails on Lichen Chimney and losing some time through sackhauling. Kern Knotts came next and the Crack in bare feet — it would seem the long walk in warm weather via Stake, Esk Hause and Sty Head had impaired the effectiveness of his toes as they felt like rubber dummies near the top of the route.

Napes Needle did not take long, but A.B.R. concedes his time was well outside the 60 seconds which Basterfield had clocked in the past. Leaving his sack at the cairn of the High Level Route which he reached by way of Kirkfell and Black Sail, Reynolds arrived at Pillar Rock where a scramble up Slab and Notch was followed by a more deliberate descent of the New West. A deviation to the Wasdale Head Hotel for a box of matches was not part of the planned schedule, but it brought welcome sustenance before an uncertain walk, in pitch blackness, led up Brown Tongue to Hollow Stones and a soft bivouac 
under the Woolworth Boulders.

A brilliant morning gave a foretaste of a scorching day ahead and a sweaty ascent of Wall and Crack on Pikes Crag, complete with rucksack; then the north-face of Scafell was negotiated following the Keswick Brother's Climb. From the top of Scafell Pike the hump of Dow could be detected through the haze, and it was then Reynolds decided, much against his conscience, to miss-out the Coniston Group. His route to Bowfell brought a chance meeting with Arthur Wakefield, himself a walker of no mean ability and a one-time fell marathon record holder. Reynolds later wrote, "I met Wakefield, who wanted to know what I was doing wandering about by myself. To have to make such a confession to Wakefield of all people was rather hard, and although he was very nice about it I could see that he was saying to himself: 'Shades of three cairns — he's left out Dow Crag!"


AB Reynolds leading The Crack, Gimmer, May 1928.

The top of Bowfell Buttress was reached with only 1/2 hours to spare and he was beginning to feel decidedly dehydrated, but he managed to reverse the route in 35 minutes, which included some sack lowering. Reynolds reached the haven of the Old Dungeon Ghyll Hotel, only after a lengthy stop at the watering hole of Hell Ghyll Fall, and was greeted by a crowd of climbers from Yorkshire consuming vast quantities of beer on the hotel lawn — these lads according to A.B.R. were politely incredulous when he told them where he had been and were doubtful if he had ever left the dale.

Ernest Wood-Johnson, one of the few climbing survivors of the time, tells a curious story of an incident which involved A.B.R. It was in the late twenties, while Reynolds was resting at Esk Hause, during a solitary walk on the Cumbrian fells, a stranger approached and sat down next to him. He was a young man, who looked in his early twenties, of striking appearance, with blue eyes and fair hair. His dress was characterised by a white rolled neck sweater and fawn riding-breeches — the popular climbing garb of a previous generation.

For a while they exchanged polite conversation, then Reynolds rose to take his leave and started to walk away, for some reason he glanced back, the young man was no longer there — he had unaccountably vanished. It was a rather perplexed Reynolds who made his way down to the valley and told his friends about his incredible encounter, but after a while the incident was pushed to the back of his mind. Sometime later however, he was in one of the local inns, (probably the Wastwater Hotel) when he noticed a photograph hanging among others on the wall. It was a portrait of a young climber with distinctive pale eyes. " That's him," exclaimed Reynolds to his companions, " that's the chap I told about on Esk Hause." The cragsman's name was Siegfried Herford, killed during the Great War in France, several years before.

Reynolds did much of his climbing in Langdale, being involved in several first ascents. In 1928 he found Borstal Buttress on Bowfell — its name a mild debunking of the nearby Cambridge Climb. In the same year on Gimmer, climbing in bare feet, he followed Bower up Hiatus, thus completing the top pitch, led by Basterfield. Further down the north-west gully, Reynolds and Macphee were responsible for JOAS, (Just one awful sweat) and on the Alphabet Face, he supported Morley Wood's effort on Diphthong — its name denoting a sharp expletive expressed by the leader on the first few hard moves. It is interesting to reflect on the names of these routes and the play on words which they entail; possibly they evoke an atmosphere of the times — far removed from the mind-boggling titles inflicted on some of our present day climbs.

But these were really 'B' movies before the main feature, for on the 5th May, 1928, Reynolds seconded by Macphee, seized the initial standing natural line, the passage had been pre-christened, The Crack, years before. The conquering of The Crack was not without its odd moment of drama — on a previous skirmish, this time in the company of H. G. Knight, Reynolds found himself teetering precariously below the final overhang with Knight on the ledge below, but unable to find an anchor. It had been a late start and the pair were in danger of becoming benighted and before rescue came in the form of a top-rope, they had ample time to admire the sunset over Rossett Ghyll and a rising moon. This pitch was led only after the removal of loads of vegetation, enabling the leader to gain entry to the crack. Why the Crack held out so long is a question worth asking — more difficult routes had certainly been pioneered. The Girdle Traverse and the Eliminates on Dow, for instance, are technically more demanding.


Of course, attempts had been made; Basterfield reconnoitered the line on a top-rope and Bower was lowered to the ledge which now bears his name, but failed to lead the turf-filled crack above. It is also well to remember that the route in 1928 bore little relation to the clean, well scratched rock a modern climber now enjoys. Reynolds and Macphee spent hours in gardening activities before their final success. All this helped to create a reputation of inaccessibility. It may be difficult to believe now, but Langdale was not considered a climbing area of any great importance. By historical right, Wasdale was still the Mecca of Lakeland mountaineering, with easy access to Pillar, Scafell and The Napes, and it was here that Kelly exerted his powerful influence on the politics of Lakeland climbing.

It would appear that The Crack was born on the wrong side of the hill. Even as late as 1937 when Kelly and Doughty wrote, 'A Short History of Lakeland Climbing' including a comprehensive list of first in ascents dating back to 1826, The Crack was of not included, or given a mention — a surprising omission! After the first ascent, the new route lay unmolested for most of the summer, but on September 30th 1928, Reynolds, Bower and Macphee repeated the climb taking 2 hours, which is about an average time for today. Some undergraduates, who were watching the proceedings, enquired if the route was any good and upon receiving an assurance that it was, surprisingly showed a veiled indifference to the problems that had taxed Reynolds and company! The students who upstaged our seasoned campaigners were Ted Hicks and Charles Warren. Hicks in particular was on the threshold of promised brilliance and was soon to make his name in North Wales with such climbs as Rowan Tree Slabs (HVS) and Heather Wall (VS).

Charles Warren, still with us, looks back to that day:  "We were a party of Cambridge University undergraduates and had been on  holiday to Skye and so were very fit, when we had a day's climbing on Gimmer on our way home from Scotland. After polishing off the Alphabet we were sitting above The Crack, watching a party in the process of climbing it. Innocents as we were, one of our  members shouted across to Macphee who was sitting not far away on the terrace, asking if the climb was worth doing and being Macphee, instead of saying what they were up to, merely said, 'yes.' So we scrambled down to the foot of the climb and launched ourselves at it, not knowing they had just made the first ascent. (In fact, it was the second ascent — author.)
"Unaware of its reputation, it held no terrors for us, and we roared up it.
There was a loose chockstone in the top section of the Crack and whilst trying to make it more secure, I accidently dislodged it, much to Macphee' s annoyance. At the same time I injured my finger badly which bled freely throughout the rest of the climb — I still have that scar to this day!"

Historical analysis reveals that Gimmer Crack was the last great route of the twenties and the final thrust of a spent gladiator — never again were those heady years of Lakeland dominance ever to be totally recaptured on Cumbrian crags. The pendulum of exploration had swung towards North Wales and it was to stay there for almost a decade. By this time Reynolds had moved to South Wales and visits to the Lakes became less frequent. On March 2, 1930, he led a second ascent of Deer Bield Crack, a course which was soon to acquire a reputation as the horror route of the thirties — it was probably his final contribution to hard rock-climbing.

He became manager of the Brymawr Furniture Makers, devoting much of his free time helping the depressed mining community, towards whom he developed a deep sense of unity. These troubled years saw Reynolds and his wife Helen organising folk dance classes, including a Morris team and they ran camps and expeditions in the Welsh mountains encouraging many of the out-of-work young men from the valleys to involve themselves with the outdoor way of life. There was little time for his own pursuits! As a Quaker, Reynolds was an unceasing worker for his faith. At one period in his life he gave himself fully to the cause, receiving no salary and existing on a small allowance based on need. Yet he sustained a peace of mind which many of us rarely achieve. He died on December 29, 1960, at the age of 57 years and it seemed fitting that his memorial service was held in Pales Meeting House, recently restored under his direction, high up in the bleak, windswept Radnorshire hills.



Ken Smith: First published in Climber-Jan 1983 

 

Rising Ground: A Search for the Spirit of Place...Review

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Philip Marsden’s new book explores an idea as much as it explores a country. It journeys westward through Cornwall from Bodmin Moor to Scilly, alighting on the rocky eminences where granite has boiled up through the Earth’s crust and crystallised into highlands and headlands. It’s rugged country, raked by south-westerlies ‘bred of the Atlantic’ and eaten at by seas surging into the throat of the Channel. Western Europe reaches one of its fine points here, like Cape Wrath in Sutherland, Lleyn and St David’s Head in Wales, and Cornuaille in Brittany. In such places we come across peaks and juts of rock which look and feel like those in West Penwith: ‘look’ because they draw our eyes and feet like magnets, ‘feel’ because the whitish crystals of quartz, like petrified pupae, that stud their surfaces are so useful as we climb the crags west of Newlyn and north of Sennen.

Marsden believes that the stone artefacts which crown so many of the Cornish uplands – the circles, henges, quoits and megaliths – were made and placed there because people found those heights important. Natural landmarks were valued, even worshipped, and people were impelled to carve and erect the liths to mark and celebrate them.We do lift up our eyes unto the hills. We use them to guide our ways by land and sea. We are relieved when the next rise of land comes into sight. Hills are perfect sites for burial grounds, and giant calendars, or to celebrate a solstice or a chieftain’s life and death.


The beauty of Marsden’s book is that, although it is thoroughly researched and rigorously argued, it comes across as the result of experience, the close frequenting of that characterful region. It calls up what it is to walk among moors of wind-shorn whin and rustling bell-heather, or to step down beyond the rim of Land’s End, to leave behind the shops full of plastic galleons and ‘gift’ mugs and clamber through buttresses fledged with hoary lichen. Marsden’s way is to walk off down a lane, catch sight of a standing stone or a curiously roughened hilltop, find out what has been discovered about its origins and bring alive again the inquirers and artists who have gone before him. William Borlase was the vicar of Ludgvan in Penwith.

At 52 he felt ‘his energies starting to dim’ but then, in May 1748, he ‘happened to bump into two distinguished antiquarians’ – also parsons, needless to say – and what he told them about local antiquities so amazed them that he was encouraged to set off on a renewed career of walking, collecting, describing and corresponding. All this bore fruit in print, in Antiquities of Cornwall and Natural History of Cornwall– the first wide-ranging records of the region. In that pre-specialist age, Borlase was omnivorous, versatile. He recorded the weather twice a day for decades. He measured stone circles. He studied fish and birds, and kept a pet chough. He corresponded with Pope, and exchanged ‘a batch of glittering Cornish rocks’ for a copy of the poet’s works.


Phillip Marsden

Above all he wrote to fellow parsons, asking them whether they knew of any ‘rude obelisks of stone, either straight, or circular line … any basins cut into the surface of your rock’. All this comes under Marsden’s scrutiny in the Morrab Library in Penzance, ‘a two-storey warren of high-ceilinged Georgian rooms’ looking out over a subtropical garden to Mount’s Bay, where he reads Borlase’s letter books, manuscripts and bundles of parish records.
Marsden is a fellow of Borlase, and of Sabine Baring-Gould and Charles Henderson in the later 19th and early 20th centuries, in his eagerness to find out about that extremity of England which has the largest concentration of standing stones in Britain. No serious theories have explained this, and it is daft to turn the matter into a stamping-ground for weird fancies and fantasies. This has been a tendency. John Heath-Stubbs called West Penwith...

        a hideous and wicked country,
Sloping to hateful sunsets and the end of time.


A painter friend of Marsden’s ‘watched low clouds drift in over the sea and felt that each one was smothering her, wrapping her up like a shroud. She was on a train back east the next day.’ Marsden himself seems to ascribe the suicide of John Davidson, a poet who drowned himself at Penzance in 1909, to the ‘uneasy’ spirit of the place and calls it ‘a testing-ground for the great mysteries’.

Might the dark cast of all this not be supplanted, or at least balanced, by the words of the rock-climbing guidebook which says about the great cliffs at Bosigran that ‘beyond there is nothing but night and America’? These words epitomise for me the epic quality of that end of England. You feel as though you are at the prow of a ship on a voyage that follows the sun across the ocean.

It depends on the frame of mind that you bring to the zawns and the headlands and the moors. Near the start of Rising Ground Marsden brings back to life a mason called Daniel Gumb who lived early in the 18th century, with his wife and family, in a hut built of granite near the Cheesewring, that natural ‘sculpture’ of great rock lobes that crowns a hill on Bodmin Moor. He was known as the ‘mountain philosopher’, and was neither a churchgoer nor a Dissenter. On the roof of his hut he carved a triangle like the one used to illustrate Pythagoras’ theorem. Gumb, Marsden suggests, was driven by the same urge that drove our Neolithic ancestors to arrange the moorstones into circles … the same questions that tease us now: what law, what force, what patterns exist in the vastness of space? And always, behind the questions, the doubt, the depth-sounder beam probing the emptiness for something solid, the fear that there might be none of these things at all.
 

Well, Gumb was practical and not religious. As a craftsman living among the materials of his work, under a sky unpolluted by smoke or man-made light, would he really have seen space as empty, without solidity? Might he not have realised that our Earth shares space with hundreds – thousands, millions – of perfectly solid bodies and knots of materials, not necessarily sites of life but entities as real, as available to our physical senses, as the granite and the shapes that nature and people have crafted from Cornish stone?


For the most part Marsden is well grounded in the real world, as he observes and comes to understand the often ritual forms our forebears made out of their surroundings. He doesn’t pretend that they can be explained by some overarching theory, druidical or otherwise, as seems to have been the habit among inquirers for centuries. In Pagan Britain Ronald Hutton shows that the beliefs supposed to underlie ancient practices have often been imposed with little evidence. Roman writers went in for ‘atrocity propaganda’ to portray the Britons they had conquered as savage barbarians. In Dorset some elderly women were buried with their severed heads at their feet. This could be seen as ritual execution, but it may equally have been a part of a rite of passage.

Marsden, it’s a relief to find, is not at all inclined to over-interpret the henges, menhirs and stone circles. He respects the communal labour that went into their making and remarks that ‘all this heaving and shoving and hauling’ had nothing ‘to do with the grind of daily life, with the necessity to eat, to provide food and shelter’. Instead he sees the huge numbers of stony sites, in Cornwall and all over the world, as providing a focus for people’s sense of place: ‘The natural features and the man-made monuments mingle and interact, suggesting that there was little difference in the way they were perceived.’ He quotes the anthropologist Diana Eck’s Sacred Geography of India, where she writes that ‘anywhere one goes in India, one finds a living landscape in which mountains, rivers, forests and villages are elaborately linked to the stories of gods and heroes’ and pilgrims have ‘generated a powerful sense of land, location and belonging through journeys’.

Marsden’s own journey, his hunt for ‘a mythology of place’, starts with a brief stay in a hut in the northwest corner of Bodmin Moor. ‘The next day I left early to walk out to Stowe’s Pound. Mist covered everything.’ Later that summer, after months of work on the near-ruin that was being turned into a home for him and his family, ‘I set off for Leskernick Hill. The night’s gale had eased, but a low cover of cloud still raced overhead.’ The place is a huge confusion of stones: the remains of huts, compounds, stone circles and one monolith. ‘All these – the monuments, the settlement, thousands of years of reverence for this place – derived ultimately from the simple arrangement of hills.’


On he travels: ‘I followed the lonely stretch of coast between Tintagel and Port Isaac. The clifftop path wove through a mass of old slate quarries, worked-out dells, blasted rock faces and single standing columns, which looked like the chimneys of bombed houses.’ He revisits his old home on the northern edge of the Mendips, shortly before his parents move out for good: ‘Early the next morning, I rose at dawn to walk over the hill to Glastonbury. I’d tried once before, one January years earlier, but fell in a rhyne down on the Levels and lost heart.’ So the author’s recent past, which we feel as his present, interweaves with his origins. Later, he is tracing the River Fal, near whose headwaters he now lives, to its beginnings among china clay pits, ‘pushing aside head-high growth, crouching and crawling at times’.

So it goes on, a narrative lasting several years, artfully made to sound almost continuous. The outcome is that the extraordinary richness of daily perceptions and antiquarian knowledge assembled in Rising Ground never feels like a tray of specimens laid out for inspection. Marsden tacks westward from one vantage point to another, making an attempt to understand how this terrain represents a fundamental human mindset: a desire to place landmarks, to help locate and settle our place in the world. It is all thoroughly human – it is peopled. The men and women he meets are as present as the land. No reader will soon forget the man from Redruth, one of a group of ‘pagans’ in the Admiral Benbow pub in Penzance who meet to discuss pre-Christian sites and start with a rite:
Take three breaths … One for the sea that surrounds us … one for the sky above us … and one for mother earth that supports us.

 The man recalls a visit to Carn Brea with his grandfather: ‘He kicks back the grass round the top there and grabs my ’ands and presses them down into the bare soil. “Feel that, boy? Does ’ee feel it?” I felt nothing but the mud. “That, boy! ’Tes the beating heart of Cornwall!”’ We won’t forget Marsden’s friend in Abkhazia, the non-state on the Georgian shore of the Black Sea which has been damaged by secessionist war. When Marsden asked to be taken up to the family a’nyxaor ritual site up in the hills, the man had to refuse, because the place had been mined.

David Craig 2015:

  • Rising Ground: A Search for the Spirit of Place by Philip Marsden
    Granta, 348 pp, £20.00, October 2014, ISBN 978 1 84708 628 0

A version of this review first appeared in The London Review of Books. Vol 37/No5 
 

The Pillarite Patriarch

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Demar Harmood Banner: Lakeland Arts Trust


The Pillarite Patriarch, or to refer to him correctly - Rev. James Jackson, is known among Lakeland climbing historians, as the elderly gentleman who took up fell walking among the Lake District hills at a very late age, and who in 1874, derided a written newspaper account of an unroped ascent of Pillar Rock, in Ennerdale, by a local Penrith family one of whom was a lady.

Subsequently, he was made to retract his derisory retort after it was established that the family (and young lady) in question, did in fact reach the summit of Pillar, making her the second female to do so.

James Jackson was thought to have been born in Kendal where his father ran a grocery shop, although other sources say he was born in Millom. Whilst he was not a climber or walker, either in his youth, adolescence or even in his younger adulthood years, this is however, what he is best remembered for within the realms of Lakeland climbing history, despite having an interesting life before making the headlines with his anonymous rhetoric that brought him into the public limelight.

If we go back to the start of his life, we note, that at the same time that his mother was giving birth in 1796, Europe was embroiled in the French Revolutionary Wars. Indeed, as the French army under Napoleon, were fighting the Battle of Montenotte in southern Italy, against an Austrian Army led by Count Eugène-Guillaume Argenteau, which Napoleon won, James Jackson came into the world. What both he and Napoleon would not be aware of, was their paths were set to cross some nineteen years later on a field in a small town in what is now Belgium, but back then, was part of France.

Jackson’s father Robert, made a reasonable living as a grocer in Kendal, and whilst they were not of property or social standing, James had a reasonable upbringing. At the age of thirteen, they managed to pay for him to attend a local (private) Grammar School, where he received his education which was to keep him in good stead for the rest of his life.   

 In February 1815, Napoleon escaped from exile on Elba and marched north across France once again. At the time, the Duke of Wellington, was in command of the 33rd Regiment of Foot, and given that they were seen as his “chosen Regiment” due to their battle honours under his command, when he was just plain Arthur Wesley, recruitment was rife across the country. And so in aged nineteen, Jackson travelled to Manchester and enlisted in the regiment.

Within weeks of enlisting, he sailed to Holland to join the regiment before they marched south to a village called Waterloo, where the decisive battle of the French Revolutionary Wars was to take place.  Once there, the battle started with the 33rd Regiment forming up in the centre of the ridge between Hougomont and La Haye Sainte.  Here they withstood the French attacks all day, finally repulsing Napoleon’s elite Imperial Guard.  Between the 16th and 18th June, the 33rd suffered a total of 277 casualties from a strength of 561, almost half their men. Clearly, James Jackson was not among the casualties, otherwise his story would end here.

After the battle was won, Wellington sent a dispatch back to London, in which he said of the 33rd Regiment:

“The elite Imperial French Guard had been thrown into the battle at the last minute to salvage a victory for Napoleon, but despite their bravery they could not break the British centre and were forced to retreat. The setback broke French morale”.

 History is testament to the fact, that Napoleon Bonaparte was defeated by the stern resistance of the British lines which ended his rule as French Emperor, this despite the Duke of Wellington referring to his soldiers as the scum of the earth after the British troops broke ranks to loot the abandoned French wagons, instead of pursuing the beaten foe. This gross abandonment of discipline caused an enraged Wellington to write in another dispatch to Earl Bathurst, "We have in the service the scum of the earth as common soldiers". Although later, when his temper had cooled, he extended his comment to praise the men under his command saying that though many of the men were, "….the scum of the earth; it is really wonderful that we should have made them to the fine fellows they are".

If such a statement included James Jackson, we shall never know. After returning to English soil, Jackson travelled to his home town of Kendal, where he was honourably discharged, clearly having decided that a military life was not a career he wished to pursue.

Again, we will never know whether the carnage he witnessed at Waterloo, was instrumental in leading him down the ecclesiastical road or not, but this is the road he took. And so in 1817, along with nineteen other young men, he enrolled at St. Bees Theological College which had just opened its doors as a private theological teaching establishment, offering young men of means, a two year course over four terms each year, at £10 a term.

                        
James matriculated from the College in February 1819, and spent the next two years consolidating his career before taking up a new post as Vicar of Rivington, on 9th May 1823, where he served until he retired in 1856. Note: Rivington is a small village and civil parish of the Borough of Chorley, Lancashire, sited six miles southeast of Chorley and 8.5 miles northwest of Bolton. It was here that he met and married Susanne Thorpe, and his two children were born. Agnes in 1837, named after James’s mother, and a year later in 1838, a son Franklin Rawdon, but who sadly died the following year.

The family took up residence at Parsonage House beside the church from where James would preach to his flock. It was whilst he was vicar at Rivington, that he became widely known for repairing a weathervane cock on the church steeple when no one else would attempt the feat. This was a time when steeple-jacks were generally ‘jack of all trade’s’ rather than professional expert scaffolders and on this occasion, they all refused to climb the steeple to fix the weathervane. James disrobed, rolled up his sleeves and duly climbed up the steeple and set the matter right. On descending he was met with a mixed reception. On the one hand there were those parishioners who thought he was putting his life and limb at risk and that such work was below that of a clergyman whilst others applauded his efforts which fed into his ego, resulting in him writing a short four lined poem about his deed after writing of the "terror which made the workmen recoil from the task, and gazing rustics turn sick with horror at the sight":

           
James could not take the criticism quietly, and so published his small poem in the local newspaper, in an attempt to make light of the negative remarks being made in his direction about the weathervane incident.

 
"Who has not heard of Steeple Jack,

That lion-hearted Saxon,
Though I am not he, he was my sire,

For I am Steeple Jackson"

This was the beginning of Jackson’s witty yet dry retorts about his deeds and behaviour, which clearly did not always receive a positive response from the public, this being how later, his fame spread around Cumberland and within climbing circles of that time.

It is not known the exact year that he started to go on long walks in the rural countryside, but he started to visit the Lake District regularly, often walking for up to ten hours a day. He rarely stayed at home when he was not preaching or on business, given that he was serving on several local committees and boards at the time, as the fells always had a greater pull, including spending time with his wife and child.

On a visit to Wasdale, he stayed for an ale and lunch at the local hostelry where he heard talk of a piece of rock called Pillar, which many said, had a summit that was impossible to reach. Old Will Ritson, landlord of the Wasdale Head Inn, the famous haunt of Victorian climbers, told him of a competition that had earlier developed among the local Dales men, to see who would be the first to stand on its summit. On July 9th in 1826, the ‘competition’ was won by a cooper and shepherd by the name of John Atkinson who hailed from the nearby hamlet of Ennerdale Bridge.

   


Pillar [photo taken by W.P.Haskett Smith, July 1884]
 
The Pillar got around fifty more ascents thereafter up until it was first ascended by a women 9th July 1870, a remarkable achievement in itself, let alone that she would have been dressed in a heavy tweed long ankle length skirt which would have prevented her from seeing where she was placing her feet as she ascended the rock face.

Three years later (1873), Pillar Rock got its second female (unroped) ascent, when Miss Mary Westmorland (Penrith) stood on its summit after climbing it with her brothers, Thomas and Edward Westmorland. They were accompanied by their other sister Annie, but she declined on this occasion, to join them in the climb, preferring to wait at the bottom of the Pillar until their safe return.
                                    


Annie, Edward, Mary and Thomas Westmorland, after their unroped ascent of Pillar in 1873
A year later, Thomas Westmorland wrote an article for the Whitehaven News, relating the tale of their earlier unroped ascent, and that his sister was now the second female to stand on the summit of Pillar. When Jackson read this, he anonymously wrote a brief article which was also published in the Whitehaven News a week after the Westmorland’s article, decrying the alleged ascent of Pillar:

“With incredulous amazement, the rhythmical account of an alleged ascent of the Pillar by two gentlemen and a lady, that in all probability what the Westmorland party climbed was not the Pillar Rock but Pillar Mountain a route which did not involve rock climbing to the summit”.

The article went on to say that the writer had walked every fell, hill and dale in the area, and that he had walked past Pillar Rock on many occasions in all weathers, and knew that those who had summited the rock, had indeed been stalwart climbers with nerves of steel. However, he was not so assured of himself, as he signed the article with an XYZ.

The Westmorland family were far from pleased at the anonymous writer’s inference, that they had lied about their ascent, and so Thomas Westmorland responded with a follow up article, promptly and forcefully resenting the “accusation of falsehood”, saying that they could distinguish the mountain from the rock face and it was without any doubt, Pillar Rock that they had climbed. They went on to list the names they found in the bottle on the summit, and ended by saying, that if the gentleman who wrote the article signing his name XYZ who as stated in his article, had walked past the Pillar many occasions but never felt confident to be able to climb it to the summit, that if he was to send them his card, they would be happy to put his name in the bottle on their next ascent.

Before XYZ could respond, the matter was cleared up the following weekend when a local Penrith climber George Seatree (with Stanley Martin), climbed to the top of Pillar Rock on Monday 14th September 1874 and in doing so, defended their fellow Countryman’s (and young lady’s) honour, by corroborating that their names were in the bottle with the date (although Mary for whatever reason, signed her name Pollie!). On his return, he wrote an article for the Whitehaven News saying:

“Eagerly we sought the ' bottle,' and to our surprise found three. Two of them contained the names of persons who had been there; the third seemed to have been used by someone who thought they might require a little stimulant on the top. We found the names of twenty-five gentlemen and two ladies recorded, some of them on address cards, some on a paper collar, and others on a piece of slate.

In two bottles in the Cairn on the Pillar Rock were: William M. Pendlebury, Charles Pendlebury, M. Pendlebury, Liverpool; C. Comyn Tucker, Beachcroft, Melville; E. J. Nanson, Trinity College; Henry B. Priest, Birkenhead; Henry Lancaster, Lamplugh; Tom Westmorland, Ned Westmorland, Pollie Westmorland, Penrith; William Gilbanks, Borrowdale; J. G. Whitehead, H. R. Wyndham, Cockermouth; and Mr Charles Pilkington."

And inscribed on a piece of slate were the following: G. Scoular, Falkirk; M. and A. Barnes, Portinscale; W. Grave; H. Wooley; R. Whitwell and W. G. Holland."

On a fresh sheet of note-paper there was the following: "Ascended this rock with a lady in 1869, Charles Arundel Parker, Parknook, Gosforth; Henry A Barker, Ellerslie, Gosforth.”

Once Seatree’s article appeared in the Whitehaven News, XYZ owned up by saying that it was he who had written the initial article, and that on reading Seatree’s account, he graciously withdrew his earlier charges and statement with the following comment:

“Though I am now in my 79th year there is life in the old dog yet for I have not abandoned the hope that on some future day, with some instruction from your two correspondents who have lately performed the feat, I may be able to put my name in the bottle”.

Note: Here the ‘two correspondents’ he was referring to, were Thomas Westmorland and George Seatree. However, as the Westmorland family were respected business philanthropists within Penrith, and having a long local family tradition of being established within the Wesleyan Methodist movement, they never forgave Jackson for besmirching their name by inferring that they had lied about their ascent in 1873, which of course, they all repeated in 1875, including Annie who stayed at the bottom of the rock face on their first ascent.

Not to be outdone however, Jackson was of the opinion that if a women could climb Pillar Rock, then so could he and in the process, leave his own name in the bottle, and so he wrote to George Seatree on 25th September (1874), asking for advice about whether or not he used a rope or any other means to gain the summit, and, if he would at some point in the future, be so kind as to lead him to the summit. He told Seatree of his “prowess and fitness”, in that on Oct. 1st 1864, he walked 46 miles in 14.5 hours; 3 days later walked 56 miles in 18 hours; and 3 days after that, he walked 60 miles in 19 hours and 50 minutes ending by saying: “I have accomplished within one week, three walks, any one of which might well knock up many a man of half my age”.

 He also went on to say:

 “I have been twelve months afloat on the wide, wide sea. I have been beneath the falls of Niagara. I have sung "God save the King" in the hall of St. Peter's; I have ascended Vesuvius in the eruption of 1828; I have  capped Snowdon in Wales and Slieve Donard in Ireland, and nearly all the hills in this district....  It only remains for me to mount the Pillar Rock, and then I may sigh for something else to conquer and if under your guidance I should succeed in the attempt, you could crown me with a parsley fern or heather as ‘The Pedestrian Patriarch of the Pillarites’ because I would be 80 years old”.

Seatree did not agree to lead him up the Pillar, he being a very good friend of the Westmorland family, and in particular Mary Westmorland, as they together along with T. Vipond, also from Penrith, skated the entire length of Ullswater in the harsh winter of February 1879 from Pooley Bridge to Patterdale and back, which has never been repeated before or since.

However, Jackson did not have the patience to wait, so sought out another young climber in the name of John Hodgson who agreed to lead him to the summit. They set off in fine weather and with high hopes of success, on 31st May 1875, when Jackson was aged 79. They ascended the summit via the Slab and Notch route although it should be said that on this occasion, this was the first recorded climb that used artificial aids* in order to make the ascent successful.

*As Hodgson led the way across the slab he hammered in four metal nails into a crack from which he hung four strands of rope which Jackson used as handholds on his way across.

Not only did Jackson manage to put his name in the bottle, he left two more bottles, one with some travel tit bits relating to Rome, Vesuvius, Loretto and Niagara and the other with a reminder that he had been the very first student to register at St. Bee’s Theologian College.

Never a one to let the moment go past, in honour of his accomplishment, he gave himself the title “The Patriarch of the Pillarites”, and wrote and published the following poem:

"If this in your mind you will fix,When I make the Pillar my toy,I was born in 1, 7, 9, 6, And you'll think me a nimble old boy".

Jackson wrote to Seatree to inform him of his successful ascent of Pillar, and despite the fact, that Seatree did not agree to lead him up the Pillar Rock, or ever climb or walk with him, they maintained a regular correspondence over a period of years. Such correspondence was eventually published in 1906, in a booklet with the typical lengthy title of:

“A series of letters written by the Rev.James Jackson of Sandwith, Whitehaven, to Mr George Seatree and others describing his wonderful octogenarian mountaineering and climbing exploits in Cumberland, 1874-1878”.

After his ascent of Pillar, Jackson continued to be a prolific walker, and with his trusty fell-pole for company, wandered far and wide across the fells and mountains, building a local reputation for covering long distances alone and in all weathers.

Such feats of endurance were often related to anyone who happened to lend him an ear, always adding: “I have knocked about among the mountains ever since I retired, till I may almost say I knaw iv'ry crag” which he no doubt did. It was also said of him, that he was “tall and lean, a relentless fell-walker and scrambler, determined to follow the skyline . . . no rocks, however rough, no precipices, unless perfectly inaccessible, ever daunted him." 

Not content with just doing the walking and talking to people he met on his journeys, he felt he had to let others know of his exploits, and so took great delight in writing short articles for local newspapers as well as holding court to anyone who would listen. One of his favourite tales was of the time he found two brethren of his own cloth, struggling feebly to surmount the difficulties of Rossett Gill. He enjoyed telling people that: “On taking pity upon their tender years, I transferred their knapsacks to my own venerable shoulders, and, striding on before, encouraged them to complete their weary task”.

Jackson made a repeat solo ascent of the Pillar in 1876 aged 80. Setting off at 4.20am up Mosedale, he stood on the summit of Pillar Rock at 7.3am and was back down having a celebratory lunch around midday at Wasdale Hotel.

He continued his prolific walking across un trodden fells and mountains in the Lake District, but he just could not leave Pillar Rock alone and so two weeks after his 82nd birthday, on 30th April 1878, he set off alone from Ritson's Inn in Wasdale to tackle Pillar Rock by the Slab and Notch route again for a third time. As ever, he went off that morning with another four-line tribute to his own prowess ready in his pocket:

"Two elephantine properties were mine

For I can bend to pick up pin or pack;

And when this year the Pillar Rock I climb

Four score and two's the howdah on my back".

However, he did not return to the Inn at Wasdale where he was staying, and three days later, his body was found several hundred yards from Pillar and it was assumed he slipped making his way to the start of the route, falling several hundred feet. His watch had stopped at three o’clock and he still carried items he had proposed to leave on the summit — a sure indication that he had fallen on his way up.

Without any shadow of a doubt, he was eccentric, and what he lacked in common sense, he more than made up for by his energetic initiative and enterprising purpose i.e. walking and scrambling. In essence, he was an adventurer at heart - one of a dying breed of men who did what they did for the sheer pleasure of doing it and no other reward.

Despite ruffling the feathers of many climbers of that time, by his extrovert personality and insistence that he was a ‘rare breed’ given his age and prowess among the hills, fells and mountains, he had his admirers. Among them were the well-known climbers, Frederick Hermann Bowring and John Maitland, who Jackson had playfully appointed "presumptive patriarchs". It was they who placed a cairn and iron cross on the spot, where his body was eventually found. However, the cairn and cross came to grief during subsequent winter storms, and so on August 16th, 1906, a more lasting memorial was undertaken by the Swiss born climber Charles Astry Octavius Baumgartner, the legendary John W. Robinson and of course, George Seatree, who had Jackson’s initials J.J. and the date 1878, chiselled on the face of the nearest suitable rock by a Mr. Benson Walker, a local marble mason from Cockermouth.

It is fitting, to give the father of English rock climbing, W. P. Haskett Smith, the last word. He ends an account of Jackson’s exploits with:

“We may well believe that, had the old man foreseen his fate, he would have gladly welcomed it, and have found for it no fitter place among all his beloved mountains than this quiet cove, almost within the shadow of the majestic rock.”



Frank Grant©2015

Statement: The Ben Moon story......reviewed

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Photo:Vertebrate
Having recently read and reviewed Steve McClure’s Vertebrate published autobiography which I felt somewhat suffered in that it became rather repetitive due to the fact that the author himself was operating in a rather narrow field of activity, I was interested to see how an old hand like Ed Douglas would take on someone who like Steve, operates within those same tight parameters which define the top end sports climber. In this case, Ben Moon, a climber synonymous with state of the art routes like Hubble, Statement of Youth and Agincourt but who, at the end of the day, is not exactly a Fowler, MacLeod or Boysen when it comes to being a climbing all rounder.

With a limited palette to draw from, it requires some creativity to fill an autobiography of 200+ pages; particularly when the subject is still in their 40’s and presumably with a lot of goals and achievements ahead of them. To the author’s credit, he makes a fine fist of the material available and doesn’t get bogged down in the technical minutiae which rock jocks are prone to use when writing about their climbs and projects . Instead, fleshing out his subject and presenting him as someone of interest and integrity rather than a one dimensional climbing machine. 

Ben Moon like his friend Johnny Dawes is certainly no scion of a horny handed son of toil. Born into a comfortable Home Countries, middle class family, his father Jeremy Moon was a talented artist of some renown and the young Ben was brought up within that comfortable, slightly bohemian suburban setting which for a youngster, is never less than stimulating as fascinating friends of the family pass through. Having a grandfather in Jack Moon who was a keen climber in his day, it was no surprise that the young Ben Moon should take an interest in the activity. An interest which took root early in life through family holidays in the mountain areas. However, it wasn’t before the young Ben Moon had suffered tragedy through the loss of his father who was killed in a motor biking accident when Ben was only six.

Ben was brought up by his mother Elizabeth and eventually found himself as a boarder at the somewhat archaic Christ’s Hospital Public School; renowned for the rather wacky  school uniform and eminent alumni . It was at Christ’s Hospital that perhaps not surprisingly, he developed an anti authoritarian streak and began to evolve into the proto punk. An image which defined the young climber when he first came to public attention as a pale, skinny, dread-locked rebel with a cause.

Like just about every climber whose lives have been dissected in biographies like this, it is remarkable how consistent they are in what you might call ‘the experience trajectory’. Time and again the same venues and the same climbs feature as these future stars climb the ladder of success. The local outcrops; the first trip to Snowdonia. A journey- usually in an old van- to Fontainbleau. Then its Verdon, Buoux, Yosemite and the Yorkshire limestone cathedrals of endeavour etc etc. 

The author charts his subjects’ rise to prominence through diary notes, interviews with Ben Moon himself and contemporaneous material drawn from articles and journals of the time. It paints a picture of a young man who, whilst not sharing the same capacity for self promotion and playing the sponsors game in the way his friend Jerry Moffatt did, was equally single minded in his desire to push the envelope and become one of that elite band of sports climbers operating at the limits of technical achievement. Like so many of his contemporaries within this select band, Ben did the competition circuit with mixed results. It did at least establish his name within the game and as routes like Agincourt began to fall, the previously dismissive UK climbing press, began to recognize and acknowledge his place amongst the cream of the crop.

Apart from charting his subjects climbing achievements, the author touches on areas where Ben Moon has experienced conflicting fortunes in his relationships, business ventures and answers that old question as to just what exactly Ben Moon did at the 1990’s Newbury By-Pass protests? Like a lot of people, I was given to understand that he had gone down there as a highly paid security goon. Employed with othersfor his climbing skills, to essentially remove environmentalists from the trees to allow their felling.

However, popular myth has it that gamekeeper turned poacher and he cast aside his Hi-Vis jacket and joined the Crusties!. As it turns out, neither story is strictly true. In the book, Ben Moon and Jerry Moffatt turned up to lend their support- although it has to be said, short of actually taking to the trees. (If anyone wants to learn more about this read Jim Perrin’s brilliant ‘The Judas Tree’ which, written from an environmentalists’ perspective quite rightly lambasts those climbers who took their twenty pieces of state silver). However, what Swampy & Co made of two tanned climbers turning up in a sporty silver BMW Evo is anyone’s guess!

As an aside to his income from sponsorship, Ben Moon launched his S7 range of climbing wear and bouldering mats although without the necessary business nous to bring the business on it eventually foundered, although later,, and with more business savvy, he launched his to date, successful ‘Moon’ climbing label.

The book winds to a close with Ben Moon- now married and with a daughter- joining that army of former rock stars who now prefer to get their fix through bouldering. No surprises here as a young Ben Moon once went on record in a radio programme to utter those immortal words...’I’m not climbing to be in nice places...I’m climbing for the moves man!’.

Certainly, not many UK climbers in the last thirty years have been in the same ball park when it comes to bending the body and torturing those tendons like Ben Moon. Yes- ‘Statement’ reflects the life and times of someone corralled within that small world inhabited by the technical elite, but it nevertheless throws light on an individual who has never been that interested in self promotion or being a climbing Charlie Big Potatoes. Ed Douglas- who of course won a BT award for his Ron Fawcett book- has penned another fascinating portrait of a UK rock master.

John Appleby:2015
 

Krabometer rating



 

Long Views in the Hills

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Cross Fell: Delmar Harmood Banner. "Perhaps the worst viewpoint in England' HG. Image Lakeland Arts Trust.

Ever since a sparkling August dawn in 1930 when two of us, after a night on the summit, saw- unmistakably, on the far northern, western and southern horizons- the mountains of Scotland, Ireland and Wales from the top of Scafell, I have been interested in long mountain views. Many of us have caught glimpses of extremely distant peaks from alpine summits or seen the far Himalayas- almost unbelievably high in the sky- from Indian hill stations, but it is more the inter-visibility of British hills that fascinates me nowadays. How far can we see in the hills on the very clearest days? What are the maximum visual contacts from our highest mountains? Can you see right across England, from sea to sea, from any mountain top?

Towards the end of our appallingly wet Lake District summer I had a letter from a friend reporting "an unbelievable view, from sea to sea" from the scarcely-obvious viewpoint of Nine Standards Rigg above Kirkby Stephen. Perched on this modest two-thousander, close to its line of Dalek-like stone cairns, he was sure he could pick out both the Solway Firth to the north-west and Hartlepool power station on the east coast and, since there are long valleys down which to peer on either side, I'm sure this is perfectly feasible. Indeed, Kipling has a character in Puck of Pook's Hill claiming to have seen both seas from some Pennine height and, if you work it out, you will find that the theoretical maximum distance for inter-visibility between the Rigg and sea-level is something like 65 miles —quite far enough to reach the coast on either side.

Further, it should be possible to see the top of any other two-thousander up to 120 miles away from Nine Standards Rigg under perfect conditions — provided there was no obstruction in between, which would be most unlikely. All this is based on purely mathematical calculations — not mine, but more of this later. About one hundred years ago the Ordnance Survey claimed that the summit of Black Combe (1,969 feet) commanded "the most extensive prospect in the kingdom"— a claim probably based on the revelation years earlier by Wordsworth, that from the top might be seen "the amplest range of unobstructed prospect that British ground commands". It has nearly always been raining when I've been on Black Combe but, in perfect weather, the Galloway hills, the mountains of Mourne and Snowdon are said to be visible from the summit. A very old Ward Locke guide of mine quotes "several of the older authorities" for the claim that the southerly view from Black Combe extended to Jack Hill near Hanley in Staffordshire, but when I mentioned this in one of my early books I was told by a reader in those parts that he did not know of any such hill around there?

Elsewhere I have read that the view south from Black Combe is the longest overland view in England and that 14 counties could be seen from the summit — before they lost many of them. Whether or not this is true I Can't say, but I do know that you can see Black Combe from ships leaving the Mersey; from the North Pier at Blackpool; from the tower of Liverpool Cathedral and from a score of places along the Lancashire coast — a great shoulder of fell standing on its own on the very edge of the sea. Scottish mountains, being the highest in the British Isles, might be expected to provide the most distant sightings and, according to the summit indicator on Ben Macdhui, the second highest mountain in Britain, both Ben Hope and the Lammermuirs which are 191 miles apart may sometimes be seen from the cairn in exceptionally clear weather.

 It is also stated in Abercrombie and Goldie's "Weather" that the Paps of Jura (2,400 feet approx.) have been seen from the summit of Hecla (1,988 feet) on South Uist — a distance of well over 100 miles. These long sightings tend to confirm the claim made to me by several people that Ben Lomond has been fairly positively identified, on a remarkably clear day, from the top of Red Pike in the Buttermere fells - a distance of something like 120 miles. 

According to the following table all these sightings are possible and, indeed, even far greater examples of extreme visibility are theoretically feasible. This table was prepared by Patrick Satow, an expert on weather phenomena
A few years ago, after I had been writing about long sightings in the hills, wondering how far we could see under perfect conditions, Mr. Satow kindly worked out the necessary calculations and produced the table. It gives the theoretical distance in English statute miles at which an object of known height should be visible for a given height of eye — "under standard conditions of atmosphere, not including exceptional refraction". 


Using the table it will be seen that the top part of Scafell Pike could be visible from 76 miles away if the height of eye was ten feet above sea-level but observed from a height of 3,000 feet — say on one of the southern Scottish Munros —the distance could become 145 miles. It should be emphasised, of course, that all these theoretical sightings depend on there being nothing in the way to obstruct the view. It will be seen from the table that the sighting distances naturally increase as the observer climbs up his mountainside but this distance increases by ever smaller amounts for each additional 1,000 feet of height — due to the steadily greater effect of the curvature of the Earth. Patrick Satow suggests the table can be used in another way. "If you stand on the beach at Seascale, gazing across at Snaefell, in the Isle of Man, 41 miles away," he wrote to me, "look along the line for height of eye 10 feet. By interpolation, it will be seen that your horizon 'cuts off' Snaefell at about 850 feet, and the island below that contour is out of sight. Conversely, if you stand at 850 feet on Snaefell the beach at Seascale will be in line with your sea horizon.

Finally, reverse your position again and ascent to 850 feet at Seascale and your sea horizon to the west will be in line with the I.O.M. beach. But you cannot do that so you go up Eskdale and start up the slopes of Scafell. You are now about 50 miles from the Isle of Man and on reaching 1300 feet above the sea the coastline of the island should just be in sight. This is found in the table by putting Height of Eye at 10 feet (on the beach. I.O.M.) and looking at Scafell. The fifty miles comes between the vertical columns headed 1000 and 1500 feet". The table shows that, in theory, maximum sightings of up to 145 miles are conceivable, under perfect conditions, between three-thousanders — say, Scafell and Ben Lomond or the Carnedds, in North Wales.

So that my dawn sighting from he top of Scafell more than 55 years ago of the mountains of Scotland, Ireland and Wales— but from two points about 100 Yards apart — was nothing remarkable. It has often been claimed that it is possible to see both the Irish Sea and the North sea from the summit of Cross Fell but, in fact, because of the hill's flattened dome shape, you can see nothing from the cairn except about a quarter of a mile of dull foreground and then the limitless sky. Indeed, the actual summit of Cross Fell is perhaps the worst viewpoint in England, not the best, although from rather lower elevations on either side of the fell very long distances, including one or other of the two seas, might well be visible on a very clear day.

Harry Griffin: First published in Climber- April 1986.
 

Alternative Slate

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Photo:MaryMary

Geography mutates inhabitants: the quarrymen, generation upon generation, dug in, taking hits and diminishing the mountain for the demanded slate; day after day, lung after lung, producing a lethal strain in the indigenous population. A package deal of volatile deliverance and bought pleasure from Ebenezer's Kingdom. Time left those dusty appendages and tale full jars to eke out in some other field. They left a huge dead quarry, into which the micro-quarrymen came; reluctantly at first, to work and play and exert their recreational rules, and again, to become prey to a different sort of mutation — a more intellectual, dare I say, "artistic" Manic Strain!

The rock-climbers, tier upon tier of them, are the micro-quarrymen, milling about their business on the faces and slabs, like termites — feeling and probing. The demand to cap roofs around the world, has left this place a climbers' paradise, or perhaps a climbers' dungeon?  A dungeon of climbers, some touching, some hacking this friable substance — some tentative, some robustly forging lines — exerting their own character on the structure left behind. "Love Sculpture" as someone put it! Creative sculpture does exist here — it's also matched by blatant thuggery.


There are no rules for production here. There are no lines drawn between the poet exercising his urge and a team of navvies next door, hell bent on ascent! Each justifies their Strain. The difference between a wall where there was nothing, carefully chipped to produce a series of moves that give the discerning "dancer" unsurpassed climbing pleasure.....Manic Strain, E7 6b/c and a climbable line, cleaned and chipped to produce an easier route for the first ascentionist, lies in the former being a series of subtle, aesthetic changes, that neither looks, nor feels, chipped, as opposed to blatantly produced jugs.

Both are bolt protected, and both valid. This is the essence of the quarry activity. The movement is constant and without constraint. It is both honest and deceiving; both aesthetic and ugly. Just like the light on wet, varnished slate clearly defines shape upon shape and changing depths of reflected colour from strange sources. It cannot stand still — it is with the stroke of movement. As for the mentality, it is obvious. A tiny flake is levered off whilst cleaning, producing a better hold or nothing at all. On the former you make it secure, and give it the wire; but on the latter, you could have a choice? You want the line to go, it's yours, a lot of effort, the expense of bolts — you say, "it will go", and depending on the `strain' acting on you, a hold is chipped, or you can leave it for someone better? This choice, brought about by Slate's limited, but intense history, just isn't applicable.


This isn't Clogwyn du Arddu. We are here on what's left of the destruction of a hillside- a mountain — you don't even consider the environment. This is "all the throes of climbing pleasure", unrestricted amidst a moraine of slate debris, of oil drums and iron bars, skeletal machinery and stacks of discarded nude books. There cannot be any respect for the rock, giving unlimited lines from the Lake Padarn to the clouds. Will it hell be left for someone better — the better are too busy doing their own thing, and anyway, you, already have a name for it! Do you not find this sinister in its possible encroachment down the Pass? There is room here for conjecture. Like the lad who's just started climbing — straight into slate, on an abseil rope, with tools and excavating equipment, producing minor routes, with no experience, or "apprenticeship", no feel of what's gone before, and elsewhere. Caught by colour and proximity, dug the style, and hitched straight in.

Could there be a strange, twisted analogy here of a quarryman's son, destined to spend his days with the dust, with like-minded disinterested in the Welsh mountain surroundings. A slate breed- a mutant. Differing circumstances, differing strains-same quarry: Right here on the ravaged hillside, in a throw from Pete's Eats are ten-fold “Cloggy's", from Dinorwig's Big Hole and of above, down through Australia, and Dali's dipto California— to Serengetti, tier upon tier down to the Rainbow Slab Area, and in across, and down inclines to the more accessible Vivian Quarry. Yawn! Don't relax there’s a Steerpike around every corner.


A lot of unstable characters play out their visions and anarchy here; one indeed seems to forget the 'link' with climbing. Tests indeed. Offset and lethal waves fusing out of the surroundings — characters can be changed and possessed as easily as winding up a Power Station official. Perhaps from a fictitious "Arfonwy Roberts", bent double in 1806, for the pleasure of some unknown "Dust Queen", high up in a tunnel near the Big Hole. Lines were lost, goitres were brown — a strain embedded into the rock — their character and lives permeated into every fought for vein; its greyness exuding their dangerous misery.


John Redhead on 'Menstrual Gossip-E7

The pounding of ancient powdery hard-ons in remote cutting sheds (listen) — cut-throats and camaraderie, of manhood, the depraved and the proud. All etched indelibly for your young prancing limbs on smooth slabs. And the climbers, so young with the dust they haven't learned to cry yet. But each one that steps up the tiers or inclines, and jokes along the levels, as before, is tracing a destiny; is being absorbed by the oozing spirit of this place — in dark cave, or hanging flake, the clanging of real men about their work, with their problems and perversions, is stilled before them — ever-present and affecting. Varnished by rain, or dulled by dust — You can skip out — a mutant at every level. May the Manic Strain be with you. 

John Redhead : First published in Climber-Nov86. Photos JR collection unless stated.

Photos available from JohnRedhead Org
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